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Zustand: New.

43, (1)pp. Prof. illus. (partly color). Sm. sq. 4to. Wraps. Pencilled annotations on back cover.

Zustand: New. In English.

Zustand: New.

Zustand: New.

Hardcover. Zustand: Very Good.

Zustand: New.

Paperback. Printed pages: 68. Zustand: Good Plus. 1st Edition. Disbound but all pages securely bound together. Light foxing to title page and first page of text, otherwise clean text throughout. French language. Overall condition is Good Plus. Size: 5.25 x 8 inches (13 x 20 cm).

soft cover. Zustand: very good. first edition. In-8° broché, 188 pages - Articles originaux : Les réflexions sur l'Histoire d'un Historien Combattant. - L'enseignement de l'Histoire des Religions dans les facultés des Lettres. - Remarques sur l'application de la méthode comparative à l'Histoire économique. - Philosophie comparée et Humanisme. - Histoire régionale : Le travail d'histoire en Bretagne, de 1886 à 1923. - Principaux ouvrages récents de Littératures générale et comparée.…

Zustand: New.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9781571134370.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2010. Illustrated. Hardcover. . . . . .

Zustand: New. In English.

Hardback. Zustand: New. Illustrated. Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel Köppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin.…

Hardback. Zustand: New. Illustrated. Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel Köppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.

Hardcover. Zustand: Brand New. 285 pages. 9.00x6.25x1.00 inches. In Stock.

Zustand: New. &Uumlber den AutorPaul Cooke is Senior Lecturer in German at the University of Leeds.InhaltsverzeichnisIntroduction: German Suffering? - Paul Cooke and Marc SilbermanArmchair Warriors: Heroic Postures in the.

Zustand: New. 2010. Illustrated. Hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Zustand: New. Illustrated. Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel Köppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin.…

Hardback. Zustand: New. Illustrated. Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel Köppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin.…

OCTARES Editions. In-8, 187pp, broché, semi-souple éditeur, exemplaire qq peu jauni et usagé, occasion, bon état Coll. Travail & Activité Humaine.

Couverture rigide. Zustand: Bon. Paris . Asselin . 1877 . 5e édition ( 2e tirage avec corrections ) . Reliure percaline éditeur verte , in-8 de XX + 851 pages , ornées de 386 figures , dont une partie couleurs . Reliure défraichie , Mouillure claire angulaire au début , rousseurs éparses .

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 324 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 776 | Sprache: Französisch | Produktart: Bücher | Réimpression inchangée de l'édition originale de 1877. La maison d'édition Antigonos est spécialisée dans la publication de réimpressions de livres historiques. Nous veillons à ce que ces ouvrages soient mis à la disposition du public dans de bonnes conditions afin de préserver leur patrimoine culturel.…

Softcover. Zustand: gut. 2025. Traite d'anatomie descriptive In deutscher Sprache. pages.

hardcover. Zustand: very good. Grand in-8° relié demi-percaline de l'époque, XV-724 pages.

Original Wrappers. Zustand: Very Good. First Edition. Outer wrappers slightly staimed. Inscribed by the author. Enclosed in an attractive quarter leather folding case. Inscribed by the Author.