Shaar pinchas (14 Ergebnisse)

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 175 pages. Main essays by Lazar and Jole; includes chronological listings of exhibitions (single and group); particularly noteworthy for the color reproductions. Signed and inscribed by Lazar in black ink on front free endpaper. A very good copy in very good- dust jacket with a few small nicks, slight creases and rubbing to jacket; slight internal browning to edges and endpapers.Over 150 Color & b/w Illustrations. …

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 60 pages + plates. Text in French. Survey of the art and times of the Polish-born Israeli artist; notable for the color reproductions. Preface by Jole; main essay by Cogniat; includes biographical chronology and few artist's statements (including his 'Credo'). One of 3700 numbered copies (of a total edition of 4000; this is number 1560). With a 5-line inscription by Shaar in black ink on title page, inked over (in same black ink) but still somewhat legible. A very good copy in very good- dust jacket with a few small nicks, slight rubbing and browning to jacket; slight internal browning (chiefly to endpapers and edges).Over 60 Color & b/w Illustrations (including endpapers; Chiefly on plates).…

Hardcover. Zustand: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Moderate loosening to binding. Secure packaging for safe delivery.

Couverture rigide. Zustand: Très bon. dédicacé et signé , en très bon état dans son boitier éditeur. Signé par l'auteur.

Hardcover. Zustand: New. Zustand des Schutzumschlags: Very Good. No date, edition not stated, presumed first. Published by Arte & Bibliopress/ BLD Ltd., Geneva / Paris / Antwerp-New York. Large hardcover in bright green cloth with bright gold lettering on front cover and spine with DJ. Condition new, square tight and clean book, no edgewear, sharp corners, no markings of any kind, no names, no underlinings no highlights, no bent page corners. Not a reminder. DJ very good with few closed tears, worn head of the spine and shelfwear at rear panel, not clipped. Large 4to 175 pages, printed on heavy art paper with numerous color and b/w illustrations, many full-page. Heavy book will require additional postage for international orders. ASIN: B000HVTFLM.…

Stapled. Zustand: Fine. Exhibition Catalog. Text: French / Dutch. Unp.; b/w ills.; 18,5 x 22 cm; 50 g. Ephemera.

No Binding. Zustand: Fine. Announcement. Diptych. Page size: 18,5 x 24 cm; illustrated.

0. Anvers ( Antwerpen ) , Editions Erasme, 1968, in-4°, 60 pp + 66 ills. + in-text ills., publisher's brown cloth. Copy with a dedication of the artist to 2 friends and to the author of the book. Text in French. The artist was born in Lodz (Poland) from Jewish descent.

Editions Erasme, Anvers, 1968. Hardcover with dustjacket. 28 x 23 cm. 62 pages + 66 plates. French text. NEAR FINE COPY [Art / international artist [Buitenlandse Kunstenaars] ].

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First Edition. 5 lbs Color Illustrations; Profusion of plates reproducing Shaaz's works. 4to, cloth, dust jacket; moderate wear. New York, 1983. ORIGINAL INK & COLOR drawing of a peacock, inscribedand SIGNED BY SHAAR. In original case with wear to upper spine [Good+] and dust jacket with rubbing to extremities from contact with the case. 12" tall, 5 pounds. 175 pages : Art, Modern illustrations (many color) , portrait ; 31 cm; Signed by Illustrator.…

Hardcover. Zustand: g to vg. Limited First edition. Elephant folio (30 1/2 x 22 6/8"). [4] leaves (Title, Introduction, List of Contents, and Colophon), [10] loose leaves (Plates), as issued. Original illustrated tan cloth portfolio, with string ties. Colophon signed by both the artist and the publisher. "Jewish Holidays" is Pinchas Shaar's most famous work in which the artist uses his talent to depict ten Jewish holidays (Yamim Noraim; Succoth; Simcath Torah; Chanukah; Tu Be'Shvat; Purim; Pesach; Yom Ha'atzmaut; Shavuot; and Shabbat). His suite of ten striking silkscreen prints are a reflection of the artist's vision: The mask-like faces of the figures representing Passover, Simchat Torah, Succoth and Chanukah lends a persistent tension and distance to the otherwise joyful and colorful holiday depictions. The colorful plates are on Vélin de Rives paper, and measure 22 x 29 7/8" (images appr. 18 x 25"). Each plate is pencil signed, and initialed A. P. (Artist Proof) by Pinchas Shaar. Two serigraphs are duplicate. Some foxing along edges of portfolio. Portfolio in overall good, interior in very good condition. About the artist: At first glance, Pinchas Shaar's work boasts a determined joie de vivre and sunny optimism reflected in bright jewel-like color, animated design and naïve depictions of fables, myths and Biblical subjects. Born in Poland in 1923, Shaar went to Paris in 1948, emigrated to Israel in 1956, and finally settled in New York in 1975. His compositions are populated with lions, lambs, birds, horses, unicorns, angels and whimsical people with stylized features and enormous eyes. Charming and sensual, his work seems far removed from a youth spent in the Lodz Ghetto under the brutal Nazi rule. Yet on closer inspection, his art slowly reveals the complexities of a survivor. Shaar expressed his Jewishness in both Biblical and cultural subjects. He died in Israel in 1996.…

[Text in French]. Pp. 62+32 coloured and 33 black & white plates, black & white text illustrations, pictorial endpapers; demy 4to; dust wrapper, lightly soiled and worn, edges split, with a few small tears; Editions Erasme/Henri Benezit,Paris, 1968. *Signed by the artist (dated 1992) on the title page. Signed.…

Zustand: Good. Color silkscreen on Japan paper. 71.5 x 54 cm. One of 50 signed and numbered copies.Pinchas Shaar (born Szwarc, later Shaar) was born in Lodz, Poland in 1923. already at a young age he drew small graffiti and characters of fairy tales. at sixteeen he met the Polish painter Wladyslaw Strzeminski, a disciple of the Russian painter Kazimir Malevich, who encouraged Pinchas' artistic education. Strzeminski encouraged Pinchas' artistic education and introduced him to the works of such painters as Picasso, Leger, Matisse, and Mondrian. Pinchas had his first exhibition in 1938 and also completed photomontages for a poetry book by Moshe Broderson that was published in 1939. Then, in September 1939, Nazi Germany invaded Poland. On February 1940 the Jews of Lodz had to move to a ghetto and perform forced labor. The artist experienced the horrors of war and the Nazi holocaust concentration camps. Pinchas worked in a prefabricated furniture factory. However, after his artistic abilities were discovered, he became a draftsman. He also designed decorations for the ghetto's theater. In 1944 the Germans liquidated the Lodz ghetto and deported its inhabitants to concentration camps. Pinchas, his brothers and his father were sent to Sachsenhausen. After his liberation by the Soviet Army in 1945, Pinchas was fortunate to reunite with his parents and his two brothers. Unfortunately Pinchas' sister and her child perished in a Nazi camp. After the war, he spent a few years in Munich Germany, where he painted stage sets. In 1951 he returned to Israel. In 1974, he decided to go live in Paris, France In Paris, he studied at the Grande Chaumière and the Ecole des Beaux-Arts. It is in Paris that he begins to paint the little fantastic folk art characters of his Jewish childhood. His work reads like poetry. Indeed, the artist gives great importance to writing that can be both graphics and thought. There is in the artist a certain spontaneity, a true freedom of expression. His paintings are like stories in which little fairy figures move, such as queens of Sheba, prophets, magi, or animals belonging to a fabulous bestiary. Pinchas Shaar reveals the meanders of his consciousness and gives us an imaginary universe that sometimes refers to Jewish folklore. The work of Pinchas Shaar is comparable to an inner world, tinged with both humor and sadness. But unlike the German Expressionists, Pinchas Shaar does not paint the "horror". The anxiety of the artist is rather of the order of metaphysics. His work is in many museums and galleries and was included in the show Israel - Entre Reve et Realite at the Musée Juif de Belgique, Brussels, Belgium along with Bergner, Yosl Pann, Abel, Rubin, Reuven, Tumarkin, Igael Lilien, Ephraim Moses Agam, Yaacov, Pins, Jacob Kadishman, Menashe amongst others.…

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Acceptable. First Edition. Scarce illustrated folio of Pinchas Shaar lithographs (printed in black and white, not original), with text entirely in Hebrew. Signed by Pinchas Shaar on the title page, no further inscription. Murray S. Greenfield Art Gallery pamphlet laid in, "With the compliments of the Murray S. Greenfield Art Gallery Tel-Aviv 17th Oct. 1963" inscribed in ink on front endpaper. Binding is tight, sturdy, and square; light wear to edges of black cloth boards, printed titling on spine is rubbed but otherwise clearly legible, white illustration on front board remains bold; illustrations and text also very good. Dust jacket is split in two at spine; edges are heavily worn with chips and closed tears; minor toning to jacket; jacket arrives wrapped in protective mylar. Due to the size/weight of this book extra charges to apply for international shipping. Ships from Dinkytown in Minneapolis, Minnesota. Signed by Illustrator.…