Sheikh simon (94 Ergebnisse)

Softcover, 416 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Zustand: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover with dustjacket, 368 pages, good condition, front cover and first few pages have 3-inch crease / crumple to lower left corner; no internal marks. Foreign shipping may be extra.

Zustand: As New. Unread book in perfect condition.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New.

Paperback. Zustand: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Zustand: New.

Paperback. Zustand: Good. What it means to be global-or to be local-in the context of artistic, curatorial, and theoretical knowledge and practice. In this volume, an international, interdisciplinary group of writers discuss what it means to be global-or to be local-in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of locality, geopolitical change, the reassertion of nation-states, and the violent diminishing of citizen and denizen rights across the globe. It has become commonplace to talk of a globalized art world and even to speak of contemporary art as a driver of globalization. This universalization of what art is or can be is often presumed to be at the cost of local traditions and any sense of locality and embeddedness. But need this be the case? The contributors to Curating After the Global explore, among other things, specific curatorial projects that may offer roadmaps for the globalized present; new institutional approaches; and ways of thinking, vocabularies, and strategies for moving forward. Contributors include Lotte Arndt, Marwa Arsanios, Athena Athanasiou and Simon Sheikh, Maria Berriosand Jakob Jakobsen, Qalandar Bux Memon, Ntone Edjabe and David Morris, Liam Gillick, Alison Greene, Yaiza Maria Hernandez Velazquez, Prem Krishnamurthy and Emily Smith, NkuleMabaso, Morad Montazami, Paul-Emmanuel Odin, Vijay Prashad, Kristin Ross, Grace Samboh, SumeshSharma, Joshua Simon, Hajnalka Somogyi, Lucy Steeds, Fran oise Verg s Copublished with theCenter for Curatorial Studies Bard College/Luma Foundation. …

Soft cover. Zustand: Good.

Paperback. Zustand: New.

Zustand: Good. Good solid copy, mild to moderate reading/age wear, no DJ if issued, may have some light markings or exowner inscription. We take great pride in accurately describing the condition of our books and media, ship within 48 hours, and offer a 100% money back guarantee. Customers purchasing more than one item from us may be entitled to a shipping discount.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Zustand: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

paperback. Zustand: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

Paperback. Zustand: New.

Paperback. Zustand: Good. What it means to be global-or to be local-in the context of artistic, curatorial, and theoretical knowledge and practice. In this volume, an international, interdisciplinary group of writers discuss what it means to be global-or to be local-in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of locality, geopolitical change, the reassertion of nation-states, and the violent diminishing of citizen and denizen rights across the globe. It has become commonplace to talk of a globalized art world and even to speak of contemporary art as a driver of globalization. This universalization of what art is or can be is often presumed to be at the cost of local traditions and any sense of locality and embeddedness. But need this be the case? The contributors to Curating After the Global explore, among other things, specific curatorial projects that may offer roadmaps for the globalized present; new institutional approaches; and ways of thinking, vocabularies, and strategies for moving forward. Contributors include Lotte Arndt, Marwa Arsanios, Athena Athanasiou and Simon Sheikh, Maria Berriosand Jakob Jakobsen, Qalandar Bux Memon, Ntone Edjabe and David Morris, Liam Gillick, Alison Greene, Yaiza Maria Hernandez Velazquez, Prem Krishnamurthy and Emily Smith, NkuleMabaso, Morad Montazami, Paul-Emmanuel Odin, Vijay Prashad, Kristin Ross, Grace Samboh, SumeshSharma, Joshua Simon, Hajnalka Somogyi, Lucy Steeds, Fran oise Verg s Copublished with theCenter for Curatorial Studies Bard College/Luma Foundation. …

Zustand: New. pp. 368 Illus.

Paperback. Zustand: NEW. 415 pages, illustrations; 23 cm. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** This is a major publication on the state of contemporary Scandinavian art, with contributions by 56 artists. The Nordic Institute for Contemporary Art initiated this series of writings in 1999, and the Center for Danish Visual Art collaborated on the project. *** "In recent years, Nordic art has become increasingly influential on the international art scene. We Are All Normal is an anthology of artists writings from the Nordic and Baltic region, providing an essential overview of this exciting and productive period in contemporary art." - Publisher. *** CONTENTS: Peripheral insiderism, by Seren Friis; In the regional perspective, by Lars Grambye & Kirse Junge-Stevnsborg; On Nordicness and normality, by Katya Sander & Simon Sheikh; Social Democrats like us; The name game; Care of the self; The politics of pop; From a mirage to miracle?; Northern lights; The great indoors; Interactions and interfaces. Size: 8vo. Collectible.…

Trade Paperback. Zustand: Used - Very Good.

Zustand: New.

Zustand: new.

Paperback. Zustand: Brand New. 368 pages. 6.69x5.79x1.18 inches. In Stock.

Paperback. Zustand: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Standard-sized.

Zustand: New.

Paperback. Zustand: new. Paperback. What it means to be global-or to be local-in the context of artistic, curatorial, and theoretical knowledge and practice.In this volume, an international, interdisciplinary group of writers discuss what it means to be global-or to be local-in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of locality, geopolitical change, the reassertion of nation-states, and the violent diminishing of citizen and denizen rights across the globe.It has become commonplace to talk of a globalized art world and even to speak of contemporary art as a driver of globalization. This universalization of what art is or can be is often presumed to be at the cost of local traditions and any sense of locality and embeddedness. But need this be the case? The contributors to Curating After the Global explore, among other things, specific curatorial projects that may offer roadmaps for the globalized present; new institutional approaches; and ways of thinking, vocabularies, and strategies for moving forward.Contributors includeLotte Arndt, Marwa Arsanios, Athena Athanasiou and Simon Sheikh, Maria Berriosand Jakob Jakobsen, Qalandar Bux Memon, Ntone Edjabe and David Morris, Liam Gillick, Alison Greene, Yaiza Maria Hernandez Velazquez, Prem Krishnamurthy and Emily Smith, NkuleMabaso, Morad Montazami, Paul-Emmanuel Odin, Vijay Prashad, Kristin Ross, Grace Samboh, SumeshSharma, Joshua Simon, Hajnalka Somogyi, Lucy Steeds, Fran oise Verg sCopublished with theCenter for Curatorial Studies Bard College/Luma Foundation What it means to be globalor to be localin the context of artistic, curatorial, and theoretical knowledge and practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…