Son binders (14 Ergebnisse)

Zustand: Sehr gut. 18 x 12 cm. viii, 900 pages, (2), Frontispiece showing the Author. Binding by Riviere and Son (stamp-signed on front turn-in). Contemporary pale morocco with gilt decorations to boards and spine. Small Mother-of-Pearl inlays to front board. See images. Gilt title on spine. All edges gilt. Marbled end papers. Very good condition. Minor shelf wear. Ex Libris of previous owner on front paste down. One (of two) front blanks missing. Mild foxing to first and last pages. Internally clean.…

Hardcover. Zustand: Very Good. No Jacket. Small 8vo, smooth polished red calf, thin double gilt cover rules, spine handsomely gilt stamped in six panels with black morocco labels, red marbled endpapers, inner dentelles, 680pp. All Edges Gilt. Small binder's stamp on verso of front endpaper. A Very Good copy.…

Zustand: New. Print on Demand pp. 130.

Hardcover. Zustand: Very Good. First Edition. [Ex-illustrated : Fine binding] Bound by Root & Son (of London). 3/4 navy leather, over blue linen boards. Gilt ruled spines and spine compartments. 17 cm. Top edge gilt. Numerous extra illustrations throughout the book.

Hardcover. Zustand: Near Fine condition. Second Impression. London: Oxford University Press for the English Association, 1934. Handsomely bound by Rivière & Son, London. Near Fine condition. SEE PHOTOS. Bound sometime between 1934 and 1939 by Rivière & Son, stamp-signed (blurry) in black on the verso of the front endpaper. SEE PHOTOS. Full dark blue crushed levant morocco, front and rear covers with double gilt ruled borders. Spine with five raised bands decoratively gilt tooled/lettered within 6 compartments. Gilt board edges. Red and green leather spine labels. Handsome gilt inside dentelles (i.e. borders decorated with gilt lacy pattern at inner edges]. Beautiful marbled endpapers. All edges gilt. SEE PHOTOS. 5" wide by 7.5" tall. NO owner's name or bookplate. Sharp corners. Pages are crisp, clean and unmarked. Between 1884 and 1939, Rivière & Son, Bookbinders traded in London at Heddon Street, off Regent Street. The firm closed its doors in 1939 when it was acquired by George Bayntum, renamed Bayntum - Riviere Bindery, and relocated to Bath. Because this book was published in 1934 and is signed "Rivière & Son," it must have been bound between 1934 and 1939. Rivière & Son (stamped). Second Impression. Hardcover. Near Fine condition. Illus. by RIVIÈRE & SON, binders. xx, 307pp. Great Packaging, Fast Shipping. RIVIÈRE & SON, binders (illustrator).…

Trade card, apparently unrecorded, c.6.5 x 5cm, good condition. Text, "Trewman & Son | Printers, Stationers, | Booksellers & Binders. | Fore Street | EXETER || [minuscule] Ezekial, Exon.".

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1597 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 126 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 126 Language: English.…

A Milne Classic in a Fine Rivière Binding "Christopher Robin Is Six" - A Superb Decorative Copy MILNE, A[lan] A[lexander]. Now We Are Six. With decorations by Ernest H. Shepard. London: Methuen & Co., [1928]. Fourth edition. Small octavo (7 5/16 x 4 3/4 inches; 189 x 121 mm.). xi, [1, blank], 103, [1], [1, printer's imprint] pp. With numerous black and white illustrations in the text. Elegantly bound ca. 1928 by Rivière & Son in full blue polished calf, covers double-ruled in gilt, the upper cover pictorially stamped in gilt with five charming figures from the text surrounding the title, all within a fine gilt frame. Spine with five raised bands, richly tooled in gilt in compartments, with two red morocco labels lettered in gilt. Blue marbled endpapers, all edges gilt. The original peach pictorial endpapers, printed in black, bound in at front and rear. Spine very slightly mellowed, otherwise an exceptionally fine copy. Housed in a blue cloth slipcase. A most attractive and unusually well-preserved example of Now We Are Six, the third volume in A. A. Milne's beloved Winnie-the-Pooh series, published at the height of his literary partnership with Shepard. Issued two years after Winnie-the-Pooh (1926), the present volume continues the gentle poetic chronicles of Christopher Robin's imaginative world - poems that balance whimsy with a quiet, often wistful awareness of childhood's passing. Shepard's illustrations - already inseparable from Milne's text by this date - appear here in their original black and white form, capturing with remarkable economy the personalities of Pooh, Piglet, and their companions. The famous vignette of Christopher Robin "going on an adventure" appears on the cover in gilt, lending this binding a particularly appropriate decorative coherence. The binding, executed by Rivière & Son at the end of the 1920s, is characteristic of their finest work of the period: crisp gilding, harmonious proportions, and a sensitive integration of illustrative motifs into the design. The retention of the original pictorial endpapers is an especially desirable feature, preserving an important element of the book's first issue character within an elevated binding. A charming and highly desirable copy of one of the central works of 20th-century children's literature - both a cornerstone of the Milne canon and a beautifully presented example of English decorative binding at its best. …

"The True Art of Memory is the Art of Attention" (Samuel Johnson) A Superb Cosway Binding with a Remarkable Portrait by Miss C.B. Currie of Dr. Samuel Johnson COSWAY BINDING. RIVIÈRE & SON, binders. [MISS C.B. CURRIE], miniaturist. A Bibliography of Samuel Johnson by William Prideaux Courtney and David Nichol Smith. A Reissue of the Edition of 1915 Illustrated with Facsimiles. Oxford at the Clarendon Press, 1925. Limited to 350 copies. Octavo (8 3/4 x 5 1/2 inches; 223 x 140 mm.). [i]-viii, [1]-186 pp. Thirty-seven facsimile plates. Limitation statement at front "This is No. 926 of the Cosway Bindings invented by J. H. Stonehouse, with Miniatures on Ivory by Miss Currie. Signed (in black ink) 'J.H. Stonehouse' Inventor. 'C.B. Currie' Artist." Bound by Rivière & Son in full dark green crushed levant morocco. Covers with gilt double-rule border, the front cover, with a superb large rectangular portrait miniature set under beveled glass (measuring 4 7/8 x 3 7/8 inches; 123 x 98 mm.) of a mature Dr. Samuel Johnson [after Sir Joshua Reynolds] by Miss C.B. Currie within an elaborate gilt foliate frame. Rear cover with gilt double-rule border and large decorative gilt foliate corner pieces. Spine with five raised bands elaborately tooled and lettered in gilt in compartments. Double gilt-ruled board edges, decorative gilt turn-ins, green moiré silk liners and endleaves, top edge gilt, others uncut. Stamp-signed by the binders on front turn-in: "Bound by Rivière & Son, London." Stamped-signed by the artist on rear liner: Miniatures by C.B. Currie." Additionally signed on the upper and lower board edges: "Cosway Binding" and "Invented by J.H. Stonehouse." An exceptionally handsome and remarkably well-preserved Cosway binding, distinguished by one of Miss C.B. Currie's finest portrait miniatures, depicting Dr. Samuel Johnson after Sir Joshua Reynolds. Housed in a felt-lined green cloth clamshell case, spine with leather label, lettered in gilt. The unusually large miniature is particularly appropriate for what remains one of the standard bibliographies of Johnson, transforming an important work of scholarship into a fitting tribute to England's greatest man of letters. Cosway Bindings: In the first decade of the twentieth century, the London bookselling firm of Henry Sotheran & Co., introduced a type of binding that was decorative, had historic associations, and catered to the level of quality expected by connoisseurs at the time. Between 1902 and 1903, John Harrison Stonehouse (1864-1937), managing director of Sotheran's, created what came to be referred to as "Cosway bindings." These were named after the celebrated eighteenth-century English portrait miniaturist Richard Cosway (1742-1821). Cosway bindings are distinguished by their attractive, finely painted miniatures that are protected by glass and inset into the covers or doublures (inside covers) of elegantly tooled books. Stonehouse's success with the bindings was due in part to his employment of skilled miniaturist, Miss C. B. Currie. It has been estimated that Miss Currie painted several thousand miniatures, recognized for their delicate rendering and precision, for over nine hundred bindings before her death circa 1940. For many of the more lavish Cosway bindings, Currie painted multiple portraits. Occasionally, landscapes and other subjects adorn the covers or doublures. To enhance Currie's miniatures, Stonehouse arranged for the London firm of Rivière & Son to produce a variety of high-quality single-volume bindings. One of the best large-scale binderies active in the first quarter of the twentieth century, Rivière & Son integrated the miniatures into bindings for both previously published editions and new works. Stonehouse marketed Sotheran's finished Cosway-bound volumes primarily to booksellers in the United States or to American agents. Before Sotheran's 1911 catalogue, in which they identified the miniature artist as Miss Currie, the miniatures are attributable only by their recognizable style. By 1913, many of the bindings were distinguished by a limitation statement on a colophon leaf (where a publisher's emblem or trademark is placed), which provides the number of the Cosway binding with facsimile signatures of Stonehouse and Miss Currie. The customary gilt-stamped signature on the turn-in is generally lettered: "Bound by Rivière & Son from Designs by J. H. Stonehouse" and "Miniatures by C. B. Currie." Caroline Billin Currie, who professionally used the surname "Currie" (December 12, 1849 - April 2, 1940) was the miniaturist artist of all the genuine Cosway bindings. Born in Cornwall, England, Caroline Billin Curry was also one of the most prominent fore-edge artists in the twentieth-century. A master of the art of miniature painting, she excelled as a copyist working for Henry Sotheran Booksellers, London. She became famous for her miniature paintings applied to two art forms. First, mounted on Rivière bindings and named by her employer as "Cosway" bindings. Later she expanded her work into the art of painting on the fanned edge of a book - called a fore-edge painting. Signed.…

First Edition. "Happiness is the one Thing we Queens can never have." (Catherine de' Medici) A Superb Cosway Binding with an Exceptional Portrait Miniature of Catherine de' Medici COSWAY BINDING. RIVIÈRE & SON, binders. [MISS C.B. CURRIE], miniaturist. WATSON, Francis. The Life and Times of Catherine de' Medici. With 16 Illustrations. London: Hutchinson & Co, [1934]. First edition. Octavo (8 7/8 x 5 3/4 inches; 226 x 146 mm.). [1]-287, [1, blank] pp. Photogravure frontispiece with original tissue guard and fifteen photogravure plates. Limitation statement at front "This is No. 912 of the Cosway Bindings invented by J. H. Stonehouse, with Miniatures on Ivory by Miss Currie. Signed (in blue & black ink) 'J.H. Stonehouse' Inventor. 'C.B. Currie' Artist." Bound by Rivière & Son in full maroon crushed levant morocco. Covers with gilt double-rule border, the front cover set with an exceptionally large oval portrait miniature set under glass (measuring 4 3/4 x 3 3/4 inches; 121 x 95 mm.) of Catherine de' Medici by Miss C.B. Currie within an elaborate gilt scroll design. Rear cover with double-rule borders and broken gilt fillet border with gilt rococo corner ornaments. Spine with five raised bands elaborately tooled and lettered in gilt in compartments. Double gilt-ruled board edges, decorative gilt turn-ins, light blue moiré silk liners and endleaves, All edges gilt. Stamp-signed by the binders on front turn-in: "Bound by Rivière & Son." Stamped-signed by the artist on rear liner: Miniatures by C.B. Currie." Additionally signed on the upper and lower board edges: "Cosway Binding" and "Invented by J.H. Stonehouse." Housed in a felt-lined quarter red morocco over red cloth boards clamshell case by Zaehnsdorf, spine with five raised bands, lettered in gilt in compartments. An exceptionally fine and completely authentic Cosway binding from the library of Paul Edward Chevalier with his circular red leather bookplate on front blank. Provenance: This copy, which formed part of the celebrated Paul Edward Chevalier Collection of English Twentieth-Century Bookbindings and was sold at Christie's, New York, 9 November 1990 (lot 72). Few historical figures lend themselves more naturally to the Cosway tradition than Catherine de' Medici. Patron of the arts, queen, regent, diplomat, and one of the most fascinating personalities of Renaissance Europe, she has inspired generations of historians and artists alike. Miss Currie's richly painted miniature captures precisely the regal dignity and enigmatic character for which Catherine remains famous. Cosway Bindings: In the first decade of the twentieth century, the London bookselling firm of Henry Sotheran & Co., introduced a type of binding that was decorative, had historic associations, and catered to the level of quality expected by connoisseurs at the time. Between 1902 and 1903, John Harrison Stonehouse (1864-1937), managing director of Sotheran's, created what came to be referred to as "Cosway bindings." These were named after the celebrated eighteenth-century English portrait miniaturist Richard Cosway (1742-1821). Cosway bindings are distinguished by their attractive, finely painted miniatures that are protected by glass and inset into the covers or doublures (inside covers) of elegantly tooled books. Stonehouse's success with the bindings was due in part to his employment of skilled miniaturist, Miss C. B. Currie. It has been estimated that Miss Currie painted several thousand miniatures, recognized for their delicate rendering and precision, for over nine hundred bindings before her death circa 1940. For many of the more lavish Cosway bindings, Currie painted multiple portraits. Occasionally, landscapes and other subjects adorn the covers or doublures. To enhance Currie's miniatures, Stonehouse arranged for the London firm of Rivière & Son to produce a variety of high-quality single-volume bindings. One of the best large-scale binderies active in the first quarter of the twentieth century, Rivière & Son integrated the miniatures into bindings for both previously published editions and new works. Stonehouse marketed Sotheran's finished Cosway-bound volumes primarily to booksellers in the United States or to American agents. Before Sotheran's 1911 catalogue, in which they identified the miniature artist as Miss Currie, the miniatures are attributable only by their recognizable style. By 1913, many of the bindings were distinguished by a limitation statement on a colophon leaf (where a publisher's emblem or trademark is placed), which provides the number of the Cosway binding with facsimile signatures of Stonehouse and Miss Currie. The customary gilt-stamped signature on the turn-in is generally lettered: "Bound by Rivière & Son from Designs by J. H. Stonehouse" and "Miniatures by C. B. Currie." Caroline Billin Currie, who professionally used the surname "Currie" (December 12, 1849 - April 2, 1940) was the miniaturist artist of all the genuine Cosway bindings. Born in Cornwall, England, Caroline Billin Curry was also one of the most prominent fore-edge artists in the twentieth-century. A master of the art of miniature painting, she excelled as a copyist working for Henry Sotheran Booksellers, London. She became famous for her miniature paintings applied to two art forms. First, mounted on Rivière bindings and named by her employer as "Cosway" bindings. Later she expanded her work into the art of painting on the fanned edge of a book - called a fore-edge painting. Catherine de' Medici (1519-1589) was an Italian noblewoman. She also was queen consort of France from 1547 until 1559, by marriage to King Henry II, and mother of kings Francis II, Charles IX and Henry III. The years during which her sons reigned have been called "the age of Catherine de' Medici" as she had extensive, if at times varying, influence in the political life of France.…

"Any book is a good book if you get good out of it" 'The Choice of Books' Handsomely Bound by W. Root & Son ROOT & SON, binders. HARRISON, Frederick. The Choice of Books and other Literary Pieces. London: MacMillan & Co., Limited, 1925. Octavo (7 1/4 x 4 5/8 inches; 184 x 118 mm.). xii, 447, [1, blank], [4, advertisements] pp. Early neat ink inscription on front blank dated 1932, some neat marginal pencil annotations throughout, otherwise fine. Bound by Root & Son ca. 1932 in elaborate paneled full brown speckled calf. Covers with double gilt rules surrounding a wide panel of decoratively tooled orange calf, decoratively bordered in gilt, spine with five raised bands elaborately tooled in compartments, two green morocco gilt lettered labels, gilt board edges, decorative gilt turn-ins, marbled end-papers, all edges gilt. A fine example housed in the original red cloth slip-case. The London bindery of W. Root & Son consistently turned-out excellent work, both on fine bindings as here, and on trade bindings and sets. Packer lists the firm in business in Red Lion Square in 1899-1901, and the December 1942 issue of The Rotarian notes with regret that W. Root had been bombed out (uprooted?) of their premises on Paternaster Row during the 1941 Blitz. The Choice of Books, and other Literary Pieces, by Frederic Harrison (1831-1923) was first published in 1886. The title essay of this volume is a discourse on Reading, its benefits and its perils. In the first section, 'How to Read,' an eloquent plea is made for the right of rejection; for the avoidance of books that one "comes across," and even of the habit of one-sided reading. The essayist pleads that the choice of books "is really a choice of education, of a moral and intellectual ideal, of the whole duty of man." He warns readers that pleasure in the reading of great books is a faculty to be acquired, not a natural gift,-at least not to those who are spoiled by our current education and habits of life. And he offers as a touchstone of taste and energy of mind, the names of certain immortal books, which if one have no stomach for, he should fall on his knees and pray for a cleaner and quieter spirit. The second division is given to the 'Poets of the Old World,' the third to the 'Poets of the Modern World,' and the last to the 'Misuse of Books.' The essay is full of instruction and of warning, most agreeably offered; and the penitent reader concludes with the writer, that the art of printing has not been a gift wholly unmixed with evil, and may easily be made a clog on the progress of the human mind. An extract is given in the LIBRARY, under Mr. Harrison's name; and the other side of the shield is shown in Mr. Arthur J. Balfour's answer, also given under his name. Fourteen other essays, partly critical, partly historical, partly æsthetic, fill the volume; the ablest and one of the most delightful among them being perhaps the famous paper, 'A Few Words about the Eighteenth Century.'. …

Leather Bound. Zustand: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1597. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 126, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 126 126.…

Leather Bound. Zustand: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1861. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 344, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 344 344.…

Leather Bound. Zustand: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1521. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 136, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 136 136.…