Tsai eugenie (160 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Acceptable. Satisfaction 100% guaranteed.

Softcover, staple bound, 16 pages; fair condition: ex-museum library copy with two 1-inch square blank white sticker taped to upper left corner of front cover; library sticker on inside front cover; no other internal marks. As is; reference copy.

Zustand: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

Hardback. Zustand: Good. Celebrated for his classically styled paintings that depict African American men in heroic poses, Kehinde Wiley is among the expanding ranks of prominent black artists - such as Mickalene Thomas, Yinka Shonibare, Kerry James Marshall and Sanford Biggers - who are reworking art history and questioning its depictions of people of colour. This volume surveys Wiley's career from 2001 to the present. It includes early portraits of the men Wiley observed on Harlem's streets, and which laid the foundation for his acclaimed reworkings of Old Master paintings by Titian, van Dyke, Manet and others, in which he replaces historical subjects with young African American men in contemporary attire: puffy jackets, sneakers, hoodies and baseball caps. Also included is a generous selection from Wiley's ongoing World Stage project; several of his enormous Down paintings; striking male portrait busts in bronze; and examples from the artist's new series of stained-glass windows. Accompanying the illustrations are essays that introduce readers to the arc of Wiley's career, its critical reception, and ongoing evolution. Published in association with the Brooklyn Museum, New York.…

Hardback. Zustand: Good. Celebrated for his classically styled paintings that depict African American men in heroic poses, Kehinde Wiley is among the expanding ranks of prominent black artists - such as Mickalene Thomas, Yinka Shonibare, Kerry James Marshall and Sanford Biggers - who are reworking art history and questioning its depictions of people of colour. This volume surveys Wiley's career from 2001 to the present. It includes early portraits of the men Wiley observed on Harlem's streets, and which laid the foundation for his acclaimed reworkings of Old Master paintings by Titian, van Dyke, Manet and others, in which he replaces historical subjects with young African American men in contemporary attire: puffy jackets, sneakers, hoodies and baseball caps. Also included is a generous selection from Wiley's ongoing World Stage project; several of his enormous Down paintings; striking male portrait busts in bronze; and examples from the artist's new series of stained-glass windows. Accompanying the illustrations are essays that introduce readers to the arc of Wiley's career, its critical reception, and ongoing evolution. Published in association with the Brooklyn Museum, New York.…

Zustand: good. Signs of wear and consistent use.

Zustand: acceptable.

Hardcover. Zustand: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

191 pp.; 19.5 x 19.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with "The Pop Project," a series of shows presented by the Institute for Contemporary Art at The Clocktower Gallery, New York, from October 22, 1987 - June 12, 1988. The four part series of shows included: "This is Tomorrow Today: curated by Brian Wallis; "Public Image: Homeless Projects by Krzysztof Wodiczko," and "Dennis Adams," curated by Tom Finkelpearl; "Present Tensions: 25 Years of Irreverence in Architecture," curated by Patricia Phillips and Glenn Weis and "Nostalgia as Resistance," curated by Thomas Lawson. Texts by Edward Leffingwell, Brian Wallis, Thomas Lawson, Lawrence Alloway, Graham Whitham, Judith Barry, Kenneth Frampton, Alison and Peter Smithson, Richard Hamilton, Reyner Banham, Eugenie Tsai, Dick Hebdige, Leo Castelli, John Coplans, Betsey Johnson, Roy Lichtenstein, Claes Oldenburg, Tom Finkelpearl, Patricia Phillips, Glenn Weiss, Howard Halle, and Alanna Heiss. Includes a bibliography and index. Very Good. Light yellowing of covers and rubbing of cover edges. 7.2 cm. pricing sticker on verso. Contents clean and unmarked.…

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Zustand: As New. Unread book in perfect condition.

Zustand: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Zustand: good. Paperback Book.

paperback. Zustand: Very Good. very good condition, pages are clean and free of markings, minimal wear to cover, has dust jacket where applicable, ships same or next business day.

paperback. Zustand: Very Good. 15-page exhibition catalog brochure has some sunning at the upper left corner, all else fine condition. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New.

Paperback. Zustand: Very Good. Very Good. Used with some reading wear but is still in great reading condition. No markings in text.

Paperback. Zustand: Fine. 1st. [12] pages, colour illustrations; 26 x 13 cm. Published in conjunction with a site-specific installation from July 12 to September 27, 1996 at the Whitney Museum of American Art at Philip Morris, New York. Firm binding, clean inside copy. Size: 4to.

Zustand: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

Soft cover. Zustand: Fine. No Jacket. 1st Edition. Fine in large quarto wraps. Bright, snug & unmarked. First Simultaneous Paperback printing.

Paperback. Zustand: Fine. 1st. 280 pages, illustrations (some colour); 29 cm. Catalogue of an exhibition held at the Museum of Contemporary Art, Los Angeles, September 12 to December 13, 2004; the Dallas Museum of Art, January 14 to April 3, 2005; and the Whitney Museum of American Art, June 23 to October 16, 2005. Firm binding, clean inside copy. *** "This fully illustrated 248-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential career. Straddling the movements of minimalism and land art, Smithson, who died in a plane crash at the age of 35, had a profound impact on the cultural landscape that resonates to this day. Robert Smithson presents essays by top Smithson scholars alongside both archival imagery and specially commissioned photography of the artist's works it considers the interrelationship of Smithson's complete artistic output, from the earliest figurative work up to his famed earthworks. Smithson's revolutionary ideas positioned art as existing beyond the walls of the museum in media such as writing and film, and even in the landscape itself. This volume and the exhibition it accompanies explore Smithson's work within the context of the artistic climate of the late 1960s as well as ensuing decades. Perhaps most renowned as the creator of Spiral Jetty (1970), a fifteen-hundred-foot rock coil dramatically situated in the Great Salt Lake, Smithson also broke new ground with his films, photographs, writing, drawings, and collages. Eugenie Tsai provides a curatorial overview of the exhibition, which includes early writings, drawings, and other work with religious, erotic, and pop culture motifs that deepen our understanding of Smithson's diverse practice. Other contributions to the volume are a previously unpublished interview with Smithson by Moira Roth a substantive historical and critical essay by Thomas Crow an essay by MOCA curator Cornelia Butler discussing Smithson's lineage and his influence on contemporary artists and a series of texts focusing on key works from Smithson's oeuvre, including Incidents of Mirror Travel in the Yucatan by Suzaan Boettger, Enantiomorphic Chambers by Ann Reynolds, Airport Terminal Project by Mark Linder, Spiral Jetty by Jennifer Roberts, Heap of Language by Richard Sieburth, Proposal for Monument at Antartica [sic] by Robert Sobieszek. The book also features the complete Library List--a posthumously compiled list of publications in Smithson's personal library--with an introduction by Alexander Alberro, as well as an exhibition checklist and annotated exhibition chronology." - Publisher. *** CONTENTS: Robert Smithson: plotting a line from Passaic, New Jersey, to Amarillo, Texas, by Eugenie Tsai; Cosmic exile: prophetic turns in the life and art of Robert Smithson, by Thomas Crow; An interview with Robert Smithson (1973), by Moira Roth; edited by Naomi Sawelson-Gorse; The taste of time: salt and the Spiral Jetty, by Jennifer L. Roberts; Enantiomorphic models, by Ann Reynolds; Robert Smithson's proposal for a monument at Antarctica, by Robert A. Sobieszek; Towards "a new type of building": Robert Smithson's architectural criticism, by Mark Linder; In the Yucata n: mirroring presence and absence, by Suzaan Boettger; "A heap of language": Robert Smithson and American hieroglyphics, by Richard Sieburth; A lurid presence: Smithson's legacy and post-studio art, by Cornelia Butler; The Catalogue of Robert Smithson's library, by Alexander Alberro; Catalogue of Robert Smithson's library: books, magazines, and records. Size: 4to. Collectible.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:0231072597.

Zustand: As New. Unread book in perfect condition.

Zustand: New. New- Great shape. hardcover New 2021.

hardcover. Zustand: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.

hardcover. Zustand: Very Good.

Paperback. White and color-illustrated wraps with red lettering; 280 pp.; richly illustrated; ephemera laid in. "This fully illustrated 280-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential body of work. Perhaps best known as the creator of Spiral Jetty, a fifteen-hundred-foot rock coil dramatically situated in Utah's Great Salt Lake, Smithson also broke new ground with his films, photographs, writings, drawings, sculptures, and collages. His oeuvre defied convention, utilizing nontraditional art materials such as mirrors, maps, concrete, earth, and asphalt - in addition to language, as both a written and visual medium. Smithson's revolutionary ideas moved art beyond the walls of the museum into the landscape itself."-- Hardcover DJ. Good + (Shelfwear to wraps and bookblock; interior is clean; binding is solid.).…

Paperback. Zustand: Very Good. No Jacket. This book shows minimal sign of wear to the cover, binding, or pages. Secure packaging for safe delivery.