wegener gerda (55 Ergebnisse)

Zustand: gut. 37 S., 21 cm, Bibliotheksexemplar, gebräunt. Sprache: Deutsch.

Taschenbuch. Zustand: Gut. 174 S. Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 188.

Couverture souple. Zustand: Satisfaisant. Gerda Wegener (illustrator).

Wrappers. Zustand: Very Good. 8vo. Spiral bound. Faint shelfwear to edges of wrappers. Housed in faintly soiled clamshell box. VG in VG clamshell box.

Couverture souple. Zustand: Bon. " LA BAÏONNETTE " Revue Hebdomadaire Satirique , 23 x 31 cm de 32 pages dont 8 en couleurs . N° 101 du 7 Juin 1917 . Quelques rousseurs sur la couverture .

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Gerda Wegener / Leroy / Genty / Fournier / Leonnec / Harley (illustrator). La Baíonette - n°44, 4 Avril 1918 - La Guerre a Coups l'Spingles Illustratied by : Gerda Wegener / Leroy / Genty / Fournier / Leonnec / Harley The magazine has some moisture spots on the bottom.

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Gerda Wegener / Fabiano / Marco de Gastyne / Métivet / Schaller-Mouillot etc. (illustrator). La Baíonette - n°, 12 Juilliet 1917 - Enfants de France Illustratied by : Gerda Wegener / Fabiano / De Gastyne / Métivet / Schaller-Mouillot etc. The magazine has some moisture spots on the bottom.

Couverture rigide. Zustand: Bon. Journaux anciens de l'année 1916,illustrés par de grands artistes de l'époque,bon état de conservation.

Couverture souple. Zustand: Bon. " LA BAÏONNETTE " Revue Hebdomadaire Satirique , 23 x 31 cm de 32 pages dont 8 en couleurs . N° 160 du 25 Juillet 1918 . Rousseurs à la couverture .

Couverture souple. Zustand: Bon. " LA BAÏONNETTE " Revue Hebdomadaire Satirique , 23 x 31 cm de 32 pages dont 8 en couleurs . N° 102 du 14 Juin 1917 . Quelques rousseurs sur la couverture .

Couverture souple. Couverture illustrée par Paul Iribe. Dessins de Capiello, Iribe, Ancrenaz, Gerda Wegener, Manfredini. (illustrator). Magazine / Périodique en français. Texte de Mouézy-Eon. Couverture illustrée par Paul Iribe. Dessins de Capiello, Iribe, Ancrenaz, Gerda Wegener, Manfredini. Revue. 16 pages. Première guerre mondiale. Magazine / Périodique.

Paperback. Zustand: Fine. First Paperback Edition. 4to. pp 90. Large format paperback. Copiously and beautifully illustrated in colour and black and white throughout. Text in DANISH. Uncommon catalogue on the Danish illustrator and painter, Gerda Marie Fredrikke Wegener (1886Ð1940). Gerda Wegener was the partner to Lili Elbe. 'The Danish Girl' was famously made into a film, starring Eddie Redmayne. ISBN: 8778751136 Fine.

Couverture souple. Zustand: Bon. " LA BAÏONNETTE " Revue Hebdomadaire Satirique , 23 x 31 cm de 32 pages dont 8 en couleurs . N° 144 & 145 des 4 & 11 Avril 1918 . Des rousseurs aux couvertures .

Couverture souple. Zustand: Bon. " LA BAÏONNETTE " Revue Hebdomadaire Satirique , 23 x 31 cm de 32 pages dont 8 en couleurs . N° 88 & 89 des 8 & 15 Mars 1917 . Papier jauni .

Zustand: Fine. Gerda Wegener (illustrator). This remarkable fashion pochoir is from Journal des Dames et des Modes, Costumes Parisiens. The work was published between 1912 and 1914 with only 1,279 copies printed. Leading artists of the time contributed to the Journal including Barbier, Brunelleschii, Bakst, J. van Brock, Wegener, Drian, and many others. It was edited by Pierre de la Mesangere.Journal des Dames sought to be an expression of French elegance. It showed the fashion and also the culture of the early 20th century. Each illustration was printed on high quality paper using excellent pochoir coloring. Pochoir is created when single layers of color are added by hand to a lithograph using a stencil.George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. --- The work is in very good to excellent condition overall. There may be a few minor imperfections or faint marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 5 1/4 - 1/2" by 8 1/2 - 5/8".

Zustand: Fine. Gerda Wegener (illustrator). This remarkable fashion pochoir is from Journal des Dames et des Modes, Costumes Parisiens. The work was published between 1912 and 1914 with only 1,279 copies printed. Leading artists of the time contributed to the Journal including Barbier, Brunelleschii, Bakst, J. van Brock, Wegener, Drian, and many others. It was edited by Pierre de la Mesangere.Journal des Dames sought to be an expression of French elegance. It showed the fashion and also the culture of the early 20th century. Each illustration was printed on high quality paper using excellent pochoir coloring. Pochoir is created when single layers of color are added by hand to a lithograph using a stencil.George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. --- The work is in very good to excellent condition overall. There may be a few minor imperfections or faint marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 5 1/4 - 1/2" by 8 1/2 - 5/8".

Zustand: Fine. Gerda Wegener (illustrator). This remarkable fashion pochoir is from Journal des Dames et des Modes, Costumes Parisiens. The work was published between 1912 and 1914 with only 1,279 copies printed. Leading artists of the time contributed to the Journal including Barbier, Brunelleschii, Bakst, J. van Brock, Wegener, Drian, and many others. It was edited by Pierre de la Mesangere.Journal des Dames sought to be an expression of French elegance. It showed the fashion and also the culture of the early 20th century. Each illustration was printed on high quality paper using excellent pochoir coloring. Pochoir is created when single layers of color are added by hand to a lithograph using a stencil.George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. --- The work is in very good to excellent condition overall. There may be a few minor imperfections or faint marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 5 1/4 - 1/2" by 8 1/2 - 5/8".

Zustand: Fine. Gerda Wegener (illustrator). This remarkable fashion pochoir is from Journal des Dames et des Modes, Costumes Parisiens. The work was published between 1912 and 1914 with only 1,279 copies printed. Leading artists of the time contributed to the Journal including Barbier, Brunelleschii, Bakst, J. van Brock, Wegener, Drian, and many others. It was edited by Pierre de la Mesangere.Journal des Dames sought to be an expression of French elegance. It showed the fashion and also the culture of the early 20th century. Each illustration was printed on high quality paper using excellent pochoir coloring. Pochoir is created when single layers of color are added by hand to a lithograph using a stencil.George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. --- The work is in very good to excellent condition overall. There may be a few minor imperfections or faint marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 5 1/4 - 1/2" by 8 1/2 - 5/8".

Zustand: Fine. Gerda Wegener (illustrator). This remarkable fashion pochoir is from Journal des Dames et des Modes, Costumes Parisiens. The work was published between 1912 and 1914 with only 1,279 copies printed. Leading artists of the time contributed to the Journal including Barbier, Brunelleschii, Bakst, J. van Brock, Wegener, Drian, and many others. It was edited by Pierre de la Mesangere.Journal des Dames sought to be an expression of French elegance. It showed the fashion and also the culture of the early 20th century. Each illustration was printed on high quality paper using excellent pochoir coloring. Pochoir is created when single layers of color are added by hand to a lithograph using a stencil.George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. --- The work is in very good to excellent condition overall. There may be a few minor imperfections or faint marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 5 1/4 - 1/2" by 8 1/2 - 5/8".

Zustand: Fine. Gerda Wegener (illustrator). This remarkable fashion pochoir is from Journal des Dames et des Modes, Costumes Parisiens. The work was published between 1912 and 1914 with only 1,279 copies printed. Leading artists of the time contributed to the Journal including Barbier, Brunelleschii, Bakst, J. van Brock, Wegener, Drian, and many others. It was edited by Pierre de la Mesangere.Journal des Dames sought to be an expression of French elegance. It showed the fashion and also the culture of the early 20th century. Each illustration was printed on high quality paper using excellent pochoir coloring. Pochoir is created when single layers of color are added by hand to a lithograph using a stencil.George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. --- The work is in very good to excellent condition overall. There may be a few minor imperfections or faint marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 5 1/4 - 1/2" by 8 1/2 - 5/8".

Zustand: Fine. Gerda Wegener (illustrator). This remarkable fashion pochoir is from Journal des Dames et des Modes, Costumes Parisiens. The work was published between 1912 and 1914 with only 1,279 copies printed. Leading artists of the time contributed to the Journal including Barbier, Brunelleschii, Bakst, J. van Brock, Wegener, Drian, and many others. It was edited by Pierre de la Mesangere.Journal des Dames sought to be an expression of French elegance. It showed the fashion and also the culture of the early 20th century. Each illustration was printed on high quality paper using excellent pochoir coloring. Pochoir is created when single layers of color are added by hand to a lithograph using a stencil.George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. --- The work is in very good to excellent condition overall. There may be a few minor imperfections or faint marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 5 1/4 - 1/2" by 8 1/2 - 5/8".

Soft cover. Zustand: Fine. Gerda Wegener (illustrator). This remarkable fashion pochoir is from "Journal des Dames et des Modes, Costumes Parisiens". The work was published between 1912 and 1914 with only 1,279 copies printed in total of which this is number 924. Leading artists of the time contributed to the "Journal" including Barbier, Brunelleschii, Bakst, J. van Brock, Wegener, Drian, and many others. It was edited by Pierre de la Mesangere. --- "Journal des Dames" sought to be an expression of French elegance. It showed the fashion and also the culture of the early 20th century. Each illustration was printed on high quality paper using excellent pochoir coloring. Pochoir is created when single layers of color are added by hand to a lithograph using a stencil. --- George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. --- The work is in very good to excellent condition overall. There may be a few minor imperfections or faint marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 5 1/2" by 8 3/4".

Demi-cuir. Zustand: Bon. Gerda Wegener Joseph Hémard Georges Aubert JP Carré Louis Morin Carlègle Pierre Gandon Jacques Touchet (illustrator). 11 Tomes en 11 volumes - Grands In8 - Reliures uniformes demi-chagrin rouge à coins - dos à nerfs , titres dorés - Tome 1 & 2 : Contes - 1928/1929 illustrés par Gerda Wegener Tomes 3 & 4 : Fables - 1930 - Illustrés par Joseph Hémard Tomes 5 & 6 : Théatre - 1929/1931 - Bois en deux tons gravés par Georges Aubert Tome 7 : Poèmes - 1931 - Illustré par J.P. Carré Tome 8 : Poésies - 1931 - illustré par Louis Morin Tome 9 : Les Amours de Psyché et Cupidon - 1932 - illustré par Carlègle Tome 10 : Voyage en Limousin et Correspondance - 1933 - Gravures de Pierre Gandon Tome 11 : Vie anecdotique de Jean de La Fontaine -1933 - Illustré par Jacques Touchet Tous les exemplaires sont illustrés en couleurs et sont imprimés sur Vélin de Rives portant le mème numéro soit 759/900.

Zustand: Gut. 415 S., 1 nn.S., 63 S., 1 nn.S., mit zahlreichen Abbildungen Französische Satirezeitschrift mit zahlreichen Karikaturen. Einband leicht berieben und bestossen, Buch ist in Klarsichtfolie eingebunden (entfernbar), Papier leicht gebräunt, die Titelblätter teilweise knapp beschnitten, einzelne Knickspuren. Insgesamt noch gut erhalten Sprache: Französisch Gewicht in Gramm: 1924 Halbledereinband, ca. 31,3 x 24 cm Nouvelle Serie, N° 1 (8. Juli 1915) - N^30 (27.Januar 1916), 30 Zeitschriften.

Softcover. Zustand: very good. Gerda Wegener (illustrator). First edition. Joseph-Henri ROSNY, was one of the pioneers of modern science fiction. "Amour Etrusque" was written as an ancient tragedy: that of the impossible passion of Dionys, a young man from Sicily, all imbued with Greek culture, and Dehva, descendant of the first Etruscan kings. But in this southern Italy of the first century AD, Gods and men condemn this love of Hellenistic antiquity, skillfully described, with multiple mythological references. 30 black illustrations in text and a color illustration on the cover by Gerda Wegener. Some spotting, foxing to covers and some of the pages, small tear by the spine, protected in removable transparency. book.

sur vélin d'Arches. 28 cm, in 4°, bella rilegatura in mezza pelle marocchina a grana lunga, piatti marmorizzati, titoli in oro al dorso. P. XIV, 164, (2) con 8 tavole a colori fuori testo dagli acquerelli di Gerda Wegener, vignette e capilettera in ocre all'inizio ed in chiusura dei capitoli. Copertine in brossura preservate. Tiratura di 500 esemplari, questo n° 471 "sur vélin d'Arches". Ottimo esemplare. Ottimo.

sur vélin d'Arches. 28 cm, in 4°, bella rilegatura in mezza pelle con angoli e bordatura a doppio filetto in oro, piatti marmorizzati spruzzati in oro, dorso a cinque nervi con titolo e fregi. P. XIV, 164, (2) con 8 tavole a colori fuori testo dagli acquerelli di Gerda Wegener, vignette e capilettera in ocre all'inizio ed in chiusura dei capitoli. Copertine in brossura preservate, dorso incluso. Tiratura di 500 esemplari, questo n° 452 "sur vélin d'Arches". Ottimo esemplare. Molto buono.

Couverture rigide. Georges Briffaut | Paris 1929 | 19 x 28 cm | relié | Edition illustrée de 12 aquarelles originales hors-texte et en couleurs de Gerda Wegener, un des 400 exemplaires numérotés sur vergé d'Arches. Dos et plats marginalement ombrés, sinon agréable exemplaire. | [ENGLISH DESCRIPTION FOLLOWS] Edition illustrated with 12 original colour watercolours by Gerda Wegener, printed hors texte, one of 400 numbered copies on Arches laid paper.Spine and boards faintly sunned at the margins, otherwise a pleasing copy. *.

Zustand: Near Fine. Gerda Wegener (illustrator). First Limited Edition. Twelve playful naughty richly colored pochoir plates designed by Wegener depicting a hedonistic frivolity to the lesbian lovers. Portfolio is 25.5 by 19.5 cm. 37 paginated pages -- blank flip side of leaves counted in pagination, but plates are not. In the illustrations creates a tapestry that fuses the opulent clothing with the female bodies, the explicitness sometimes concealed while being in plain sight. In each there is a tiny mask in a lower corner, this being a sort of signature by Wegener for these prints. This delectable sexual bon bon is fairly scarce, with only three institutional holdings outside of France recorded on OCLC First Search, all these copies in the US. (And there are three recorded copies in France.) The portfolio ribbon ties have perished. There is a light film of soiling on the cover as well, and the inside of the spine has chipping and tears -- evident only when one opens the portfolio. But the leaves within were meant to be loose, and the leaves, both the text and plate leaves, are generally clean, and the plates are near pristine. Portfolio. Paper pastedown on boards and cloth spine.

Hardcover. Zustand: Very Good. LIMITED EDITION. 1 vol., 10-1/4" x 7-7/8", 38pp. and illustrated with 12 additional hand-coloured pochoir plates by Gerda Wegener, limited to 350 copies, originally issued in a cloth backed portfolio this copy bound in contemporary full vellum, each plate bound opposite the corresponding text, internally clean and bright, some minor offsetting of plates to text otherwise a VERY GOOD copy. Gerda Wegener's (whose life is currently celebrated in "The Danish Girl") 12 aquarelles are not only considered one of the world's most artistic erotic paintings but her work also comes with a sensational backstory. Gerda's husband Einar served as a model for her aquarelles. Einar later underwent the world's first sex-change operation and became a woman. Gerda Gottlieb (1885-1940) rushed into the Royal Art Academy in Copenhagen to tell her classmates that fellow student-artist, Einar Wegener (1884-1931), had asked her to marry him. Gerda, who was Danish-Swedish, was beautiful and blonde; Einar was dark-haired and delicately handsome. She was nineteen, he a year older. They left for France to make their way in the Paris art world. The couple appeared passionately in love. One day on a whim, Einar picked up Gerda's dress and put it on. She took out her sketch pad and drew Einar as an ambiguous woman. As time passed, Einar dressed more and more as a woman, and Gerda used him as a model. The artistic work of both was well received, but Gerda was the more successful. By the mid-1920s she had become an important figure in the Paris art world as a portrait painter and and book illustrator. Louis Perceau (1883-1942), a French poet and writer, still renowned for his erotic works, asked Gerda Wegener to illustrate his book of erotic poetry, Douze Sonnets Lascifs, which was published in 1925. She created twelve watercolors which were individually silk-screened to accompany the 350 copies of the book. The portfolio was inserted in the book. The model for the dark-haired ambiguous woman in the aquarelles was Einar. Later, Einar underwent the world's first successful sex-change operation. The King of Denmark annulled the marriage between Gerda and Einar, who took the name "Lili Elbe." They lived together for a while but at Lili's insistence Gerda married a mutual friend, an Italian officer. Over the years most of the aquarelles were lost or bought by collectors. The portfolio was often removed from the original book of poetry?which was discarded.