Castle oak publishing (31 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Paperback. Zustand: Good.

Zustand: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Zustand: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Zustand: Good.

Zustand: New.

Paperback or Softback. Zustand: New. Forever Found: Terror, MN. Book.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New.

Zustand: New.

Paperback. Zustand: Good. Satisfaction 100% guaranteed.

Zustand: New.

Soft cover. Zustand: Near Fine. A non personal message and signature on the title page. The pages have no tears or marks. The front lower corner has a tiny separation of the plastic cover pulled from the paper. Signed by Author(s).

Softcover. Zustand: Near Fine. An edition that has some general shelfwear and some creasing and fraying to the upper rear corner, else Near Fine; Turner's later papers are a study of the manufacture, selection and use of his drawing papers, 1820-1851. This book provides an in-depth look at Turner's methods for producing his drawing papers and the impact they had on his work.; 4to; 144 pages.…

Softcover. Zustand: Fine. An edition that bears some wear to the upper corners, else Fine; This book is a study of the manufacture, selection and use of Turner's drawing papers from 1820-1851. It is an important source of information on Turner's working methods and the materials he used.; 4to; 144 pages.…

Paperback. Zustand: Brand New. 172 pages. 8.00x5.00x0.39 inches. In Stock.

Paperback. Zustand: Brand New. 258 pages. 8.00x5.00x0.65 inches. In Stock.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Brand New. 310 pages. 8.00x5.00x0.70 inches. In Stock.

Hardcover. Zustand: Near Fine. 8vo. 310 pp. Text illustrations. Articles chosen from the first fifty years of 'The Book Collector' to convey the multifarious forms in which the joys of book collecting can be revealed. Fine in Near Fine dust jacket that has a short closed tear.

cloth, dust jacket. 8.75 x 12 inches. cloth, dust jacket. xx, 396 pages, with folding floor plan of the Crystal Palace in pocket at rear. ".an impressive work of scholarship with beautiful visuals that will appeal to anyone interested in early photography. Hamber's splendid book may be regarded for generations as the authoritative account of photography at the 1851 Great Exhibition. Scholars of photographic history will want to add this title to their libraries, and anyone interested in the study of photography will delight in its compelling text and beautiful images." - Robert Desmarais, Papers of the Bibliographical Society of Canada "Any student of early photography -- or of the international exposition housed in the famous Crystal Palace in London -- will covet this magisterial work of careful scholarship and beautiful bookmaking." - Michael Dirda, "best books list," The Washington Post "Richly illustrated and scholarly." - The Royal Photographic Society Journal "'Ever since the Great exhibition I have felt that a new era had commenced for photography', said William Henry Fox Talbot -- inventor of photography on paper. In charting the pioneering and diverse role of photography at the Great exhibition, this important study plots the start of photography's international journey which set the foundations for the new purpose and place of photography at the Victoria and Albert Museum today." - Tristram Hunt, Director of the V&A, from the Foreword The Great Exhibition of the Works of Industry of All Nations, held in London from May to October of 1851, was the genesis of the Victoria and Albert Museum. Published to accompany the opening of the V&A Photography Centre, this book makes extensive use of the V&A collections and archival material related to the 1851 Great Exhibition. Photography and the 1851 Great Exhibition is the first comprehensive study of the seminal gathering of photographs and photographic equipment that marked the global launch of the form. It examines the role and impact of photography at the 1851 Great Exhibition and beyond, drawing together two decades of research to create a broader understanding of the step-change in image making and distribution represented by that event. With a Foreword by Tristram Hunt and an essay on photoscience by Nicholas Burnett. While the Great Exhibition has received a variety of examinations, its role in exhibiting and furthering the cause and exploitation of photography and its impact on illustration, printing, publishing, and the arts has been largely underappreciated. More broadly, 1851 saw a massive change in information management: in the creation and dissemination of visually based graphic information characterized by images of the building, its contents and their display that collectively constituted the Great Exhibition. Photography played a critical role in this quantum leap. The scale and scope of photography of the Great Exhibition is made evident through reproductions of images produced by a wide range of amateur and professional photographers who documented the Great Exhibition, some of which are the only known images of now lost works of art. Also shown and examined are prints produced by traditional reprographics and lithographs and the photographic originals from which they were derived. The result of more than twenty years of research, this study is based on a number of contemporary sources including official publications, the archive of the Royal Commission for the Exhibition of 1851, the correspondence of William Henry Fox Talbot, letters, newspapers, books, and articles in serial and periodical publications, as well as the Reports by the Juries, from which all 154 photographic images are reproduced in these pages. Anthony Hamber is an expert on 19th century photography and the illustrated book, the contribution of photography to other forms of illustration, and the application of photography to art publishing. His first monograph, A Higher Branch of the Art; Photographing the Fine Arts in England 1839-1880 (Gordon & Breach, 1996) is a fundamental source of information in its field. Available in the UK and Ireland from the Victoria and Albert Museum.…

Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.