david askevold (27 Ergebnisse)

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Good. New series, (vol. 1 was published July 1946) ; v.; illustrated in black & white ; 25 cm. ; ISSN: 0003-5866; LCCN: 55-30426 ; serial OCLC: 3583423 ; LC: NK1125 ; color stapled paper wrappers ; three punch-holes along spine ; G. Book.

Soft cover. Zustand: Very Good. 1st Edition. VG+ in lightly worn and wrinkled wraps. Scarce title, priced to move. ISBN 0919777733.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Softcover, 58 pages, very good condition, light edgewear to covers; no internal marks. Foreign shipping may be extra.

Paperback. pp. 56. 4to. Colour photographs. Light rubbing and creasing; very good-.

101 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; September/October 1980 issue of Journal. Edited by Bridget Johnson. Contents include: "Art at Large," by Peter Clothier; "At Large in Santa Barbara," by Richard Ross; "You Can't Tell a Book by Its Cover (But You Can Locate a Text by Its Spine)," by Robert C. Morgan; "The Poltergeist," by David Askevoid and Michael Kelley; "Los Angeles Painters of the 1940s," by Susan Ehrlich; "Some Notes around a Recent Film by David Lamelas," by Paul Arthur; "Sculpture in California 1975 - 1980," by Richard Armstrong and "Evidence," by James Hugunin. Cover by Doug Wheeler. Very Good. 6 mm. dog-ear / bumping to bottom right corner of recto. 2 cm. surface tear to spine edge with additional light edge wear. Contents clean and unmarked.

Softcover, unpaginated, very POOR condition; all pages heavily rippled from waterdamage at top; some pages have small tears and abrasions from being torn apart; still a usable reference copy. As is.

Softcover. Zustand: Very good. No jacket. In German and English. Some shelfwear.

Soft cover. Zustand: Near Fine. 1st Edition. Stiff, illustrated wrappers. Exhibition catalog published in an edition of 750 copies. Color and black & white illustrations and plates. 47 pp. 27 x 20,5 cm.

[1] pp.; 10.8 x 13.9 cm.; black-and-white; edition size unknown; unsigned and unnumbered; other printing process Single sided postcard / announcement published in conjunction with show held June 3 - July 1, 1989. Artists included Marina Abramovic, David Askevold, Francesco Clemente, Susan Hiller, and Mike Kelley. Very Good / Fine. Light yellowing along top edge of verso. Light, slightly raised yellow marks near top edge of recto.

Paperback. Zustand: Very good in wraps. First Edition. 21 x 27cm 56pp very good paperback signed by David Askevold on the title page. Reproductions of film stills in colour plus black and white, with text.

Softcover/Paperback. Zustand: Very Good. David Askevold (Curator). Projects Class Cards, Nova Scotia College of Art and Design, Fall 1969. Halifax: Nova Scotia College of Art and Design, 1969 Envelope with 12 index cards. Very good.Stamped brown paper envelope has small tears at either side of flap. Minor creasing.Cards are clean with slight corner wear.A handsome example of this scarce conceptual art project.Set of 12 index cards in a stamped brown paper envelope curated by David Askevold as part of his "Projects Class" held at Nova Scotia College of Art and Design [NSCAD] in 1969. Askevold invited international artists to submit projects for the class, some of these submissions were later transcribed for this edition. Artists include: David Askevold, Robert Barry, Mel Bochner, James Lee Byars, Jan Dibbets, Dan Graham, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Lucy R. Lippard, N.E. Thing Co. LTD., Robert Smithson, Lawrence Weiner.

116 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. Essays by David Antin, Lizzie Borden, Jack Burnham, John McHale, and Suzanne Delehanty. Includes works by Vito Acconci, Sonia Andrade, Ant Farm, Eleanor Antin, David Askevold, John Baldessari, Lynda Benglis, Jim Byrne, Pierpaolo Calzolari, Colin Campbell, Peter Campus, Giuseppe Chiari, Fernando França Cocchiarale, Andrea Daninos, Douglas Davis, Antonio Dias, Juan Downey, Ed Emshwiller, Valie Export, Terry Fox, Howard Fried, Seiichi Fujii, Anna Bella Geiger, Michael Geissler and Video Audio Mediem, General Idea, Frank Gillette, Dan Graham, Sakumi Hagiwara, Martha Haslanger, Michael Hayden, K.H. Hödicke, Nancy Holt, Rebecca Horn, Mako Idemitsu, Taka Iimura, Joan Jonas, Allan Kaprow, Nobuhiro Kawanaka, Hakudo Kobayashi, Masao Komura, Beryl Korot, Paul Kos, Ernie Kovacs, Shigeko Kubota, Richard Landry, Les Levine, Alvin Lucier, Urs Lüthi, Ivens Olinto Machado, Andy Mann, Toshio Matsumoto, Kyoto Michishita, Robert Morris, Philip Morton, Fujiko Nakaya, Bruce Nauman, Dennis Oppenheim, Jean Otth, Nam June Paik, Giulio Paolini, Ulrike Rosenbach, Reiner Ruthenbeck, Daniel Sandin, Ira Schneider, Eric Siegel, Richard Serra, Nina Sobel, Keith Sonnier, Lisa Stelle, Skip Sweeney, Telethon, Top Value Television, Steina and Woody Vasulka, Bill Viola, Wolf Vostell, Morihiro Wada, Andy Warhol, William Wegman, Peter Weibel, Katsuhiro Yamaguchi, Keigo Yamamoto, and twenty-two broadcast commercials. Includes exhibition checklist and a selected bibliography. Good. Light bumping to top and bottom right corners of publication. Rubbing of cover edges. 1 cm. tear to bottom edge of recto with adjacent 6.5 cm. crease. Light yellow foxing to title page with yellowing of inside of recto. 1 mm. mark on the table of contents and on page 116. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softcover. Zustand: Gut bis sehr gut. 136 S., zahl. s/w Abb., kart., 27 x 21 cm. Including the intended torn pages by Buren. Inklusive der vorsätzlich herausgerissenen Seiten von Buren. Minimal berieben, gebräunt und bestoßen. Insgesamt in sehr guter Erhaltung.

Soft cover. Zustand: Very Good. 1st Edition. Edition of 2,000. Seminal work of Huebler featuring many of the preeminent art figures of the 1980s. No marks. No tears. Copy of noted artist of that perior Charles Clough, with "Clough" signed on back cover.

[52] pp.; 53 x 28.5 cm.; loose leaves; black-and-white; edition size 2000; unsigned and unnumbered; offset-printed A tabloid style artists' project based on notions of exchange between Huebler and fifty artists. Text from cover: "50 signed original copies of this statement, (priced at $150 each), will constitute the only from of this piece for an indeterminate period of time. When the entire edition has been sold, presumably to 50 different 'owners', the net proceeds resulting from its sale will be used to structure and execute its final destiny." Text from first interior page: "After a period of months had passed no collector had purchased PART I of this work so it was re-designed in the following way: fifty people, not necessarily artists, were asked to accept the statement that constituted PART I in exchange for 'something of yours that you value as being worth $150.' As no 'net proceeds' resulted from the exchanges the 'final destiny' of the piece takes the form of the publication 'of all documents that accumulate as a result of its completion.' An edition of 2,000 newspaper type publications has been printed in order to bring the information concerning this work to a more general and larger audience at a very low cost." Incorporates the works of Eleanor Antin, Cazolari, Salvo, Alighiero Boetti, Hanne Darboven, Tim Zuck, David Askevold, John Goodyear, Lawrence Weiner, Roger Mazurquil, Charles Harper, Saul Ostrow, David Blume, Les Levine, Jack Burnham, Robert MacDonald, Carolyn Kite, Braco Dimitrijevic, John Pearson, Lucy Lippard, Tadashi Maeyama, Knimsa Kuriyama, Shyoji Kaneko, Kodo Tanaqua, Toshiyuki Sunohara, Hideharu Sato, Jum Mizukami, Hiroshi Kawatsu, Yutaka Matsuzawa, Gerald Ferguson, Boezem, Stanley Brouwn, Jan Dibbets, Adriaan Van Ravesteijn, Donald Burgy, Robert Barry, Christopher Cook, Edward Ruscha, Robert Cumming, Agnes Denes, Adrian Piper, Hans Haacke, John Baldessari, Sol LeWitt, Konrad Fischer, Daniel Buren, Gilbert & George, Bernd & Hilla Becher, Jaroslaw Kozlowski, Richards Jarden. Reference : No. A1973.03 in "Ed Ruscha : An Archive of Projects [Other Stuff]" by Robert Dean, Al Ruppersberg, David Platzker, Michael Friend. New York, NY : Gagosian, 2022, pp. 133. Fine. As issued, clean and unmarked.

[24] pp.; 9.8 x 9.6 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with "Projekt '74" held at the Wallraf-Richartz-Museum, Köln, Germany, October 19 - October 24, 1974. Curated by Paul Maenz. Artists include Art & Language, David Askevold, Robert Barry, Mark Boyle, Victor Burgin, Hans-Peter Feldmann, Hans Haacke, Joseph Kosuth, Giulio Paolini, Giuseppe Penone, Anne & Patrick Poirier, Ulrich Rückriem, Salvo. Hans Haacke's piece was not allowed to be included in the exhibition because it implicated a board member of the museum as having engaged in unethical behavior. Fine. Covers and contents pristine, clean and unmarked.

senza rilegatura. Zustand: ottimo. prima edizione. ASKEVOLD David (Montana, Stati Uniti 1940) New York, John Gibson Gallery, [1973], 10,2x14,9 cm., invitation cardboard printed on the occasion of the exhibition (New York, John Gibson Gallery, November 24 - December 22, 1973).

senza rilegatura. Zustand: ottimo. prima edizione. ASKEVOLD David (Montana, Stati Uniti 1940), Eindhoven, Van Abbemuseum, 1980, 21x29,5 cm, typographical invitation card published on the occasion of the exhibition (Eindhoven, Van Abbemuseum, 12 January - 10 February 1980). [Bibliography: Tonini 2019: pag. 67 n. 72].

senza rilegatura. Zustand: ottimo. prima edizione. ASKEVOLD David (Montana, Stati Uniti 1940) New York, John Gibson Gallery, [1975], 10x13 cm., invitation card illustrated with a black and white photographic image, published on the occasion of the exhibition (New York, John Gibson Gallery, May 24 - June 21, 1975).

Sin Encuadernar. Zustand: Muy bien. 1ª Edición. John Gibson Gallery, New York, [1976]. 1ª Edición. Tarjeta-invitación a la exposición. 10x15.

Stamped manila envelope contains 12 loose cards printed 1 side only with text pieces by: Sol Lewitt, Robert Barry, Dan Graham, Lucy Lippard, N.E. Thing Co., Jan Dibbets, Lawrence Weiner, Douglas Huebler, James Lee Byars, Mel Bochner, Joseph Kosuth, Robert Smithson, cards in as new condition; clean and crisp; no internal marks; the envelope is also virtually as new with tiny creases to corners.

Sin Encuadernar. Zustand: Muy bien. 1ª Edición. John Gibson Gallery, New York, [1975]. 1ª Edición. Tarjeta-invitación a la exposición. 10x13.

Printed on both sides. Postcard. London: Jack Wendler Gallery, 1972. Postcard invitation for Askevold's only exhibition with Wendler's gallery. "Some artists made new video work specifically in and for the space of the gallery. Askevold used the window space to make a London version of his video Learning About Cars and Chocolates"Dematerialised: Jack Wendler Gallery, 1971-1974, p. [7]. In excellent condition. ? Teresa Gleadowe, curator, Dematerialised: Jack Wendler Gallery, 1971-1974 (CHELSEAspace: 2009), p. [10].