Gado frank (46 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Zustand: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New.

paperback. Zustand: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft Cover. Zustand: Good. Text clean & bright; binding tight; minor wear to covers. 547 pages. Illustrated.

Paperback. Zustand: Very Good. Trade pbk.; no bent or torn pp.; a handful of pp. have a phrase or two written in the margins; no highlighting; cover and spine, excellent.

Hardcover. Zustand: Good. ex-lib w/usual markings, GOOD hardcover, no marks in text. Book.

Hardcover. First Edition. 36 pages. Special edition of 'The Idol,' Volume XLIX, Number 2, Fall, 1972. Cover drawing by Carol A. Hill. First edition (first printing). A near fine copy in illustrated white wrappers (paperback), stapled. Tanning to cover edges.

paperback. Zustand: Near Fine. Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paperback. Zustand: Very Good.

Soft cover. Zustand: Very Good. 198 page soft cover. Biographical overview, Bryant poems, fiction, and criticism - and Critical Commentary by the Editor (Frank Gado). Signed and dated on title page by Gado. Very good condition - unmarked, tight and clean. Signed by Editor.

hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

8vo. xvii, 548pp. Notes, index. Original boards in dustwrapper. Black and white illustrations, a very good ex-library copy.

Zustand: Very Good. No dust jacket. The cover and content are both in very good condition.

Softcover. Zustand: Good. First edition. xlix, 159pp. White glossy wrappers. Wrappers worn and soiled, just about very good. Includes interview with John Dos Passos, Robert Penn Warren, Glenway Wescott, John Barth, Robert Coover, and John Updike. Laid in is an envelope addressed to the famous Gotham Book Mart, on the verso the name Henry Wescott is written.…

Softcover. Zustand: Very Good. Volume XLVII. 32pp. Illustrated from black and white photographs by Mark Boylan. Wrappers. Very good with the wrappers a trifle sunned with some soiling to the front wrapper, and a small tear on the bottom of the front wrapper. First edition of this special issue of this magazine.…

Softcover. Zustand: Fine. Volume XLIX, Number 2. Cover by Carol A. Hill. Octavo. 36pp. Fine in stapled wrappers.

paperback. Zustand: Molto buono (Very Good). Selection and introduction by Frank Gado . 8vo. pp. 190. . Molto buono (Very Good). . . . Book.

Softcover. Zustand: Fine. Volume XLVII. Tall octavo. 32pp. Illustrated from black and white photographs by Mark Boylan. Fine in wrappers. The issue is dedicated to a conversation between Updike and Gado.

Softcover. Zustand: Fine. Edited by Frank Gado. Octavo. Wrappers. Covers a trifle sunned, otherwise a fine copy. First edition of this special issue of this magazine.

Trade Paperback. Zustand: Used - Like New. no markings like new.

Paperback. Zustand: New. Acknowledged as one of the greatest filmmakers of this or any other time, Bergman has with few exceptions written his own screenplays-an uncommon practice in the film industry-and for this practice critics refer to him as a "literary" filmmaker: In this work, Gado examines virtually the entire range of Bergman's literary output. While treating the matter of the visual presentation of Bergman's films, Gado concentrates on story and narrative and their relationship to Bergman's personal history.Gado concludes that whatever the outward appearance of Bergman's works, they contain an elementary psychic fantasy that links them all, revealing an artist who hoped to be a dramatist, "the new Strindberg," and who saw the camera as an extension of his pen.…