Jan middendorp (96 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Proves why FontFont has made an indelible impression on type and typography trends. Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.…

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2011. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Flexibound. Zustand: New. New copy.

Gebunden. Zustand: neu. OVP Titel Type navigator : the independent foundries handbook ; Special Ed. Person(en)Middendorp, Jan (Herausgeber) Organisation(en)TwoPoints.Net (Sonstige) VerlagBerlin : Gestalten Zeitliche EinordnungErscheinungsdatum: 2011 Umfang/Format314 S. ; 300 mm x 240 mm + 1 CD-ROM ISBN/Einband/Preis978-3-89955-551-6 Pp. : EUR 29.90 (DE), EUR 30.80 (AT), sfr 38.90 (freier Pr.) EAN9783899555516 Sachgruppe(n)700 Künste, Bildende Kunst allgemein In englischer Sprache. 320 pages. 300x240 mm.…

Zustand: New. 2015. hardcover. . . . . . Books ship from the US and Ireland.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Like New. Never used! Light wear to corners/edges from shelving.

Zustand: New. 2015. hardcover. . . . . .

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine Dust Jacket. 320 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Fine dust jacket. Book still in original publisher shrink wrap. INCLUDES CD. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

Zustand: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Hardback. Zustand: Fair. Although, or perhaps because, most of us write less and less by hand, our fascination for handwritten letterforms is growing. Typeface designers who specialize in traditional, charming, or spectacular lettering with a handmade look have become role models for today's young typographers and graphic design students. Script fonts--digital type families based on handwriting--are among the most sought on the typography market today. Scripts from the past, be it 18th-century formal calligraphy or advertising headlines from the 1960s, are being digitized and turned into OpenType programming. The love of the hand-written look is nothing new. Even the oldest printed books pretended to be something unique and not a machine-made mass product. Hand to Type is a collection of some of the best work by today's lettering artists in the fields of hand-made and digital script forms. The book includes texts about outstanding designers and contains a series of expert chapters outlining the principles of script forms that may be lesser known to most western typographers--from the German S tterlin to Arabic and Asian scripts. Hand to Type also traces script fonts back to some of the earliest examples: hand-lettering as a sign of authenticity, or printing type made to look like formal writing.…

Hardcover. Zustand: Very Good. Large hardcover in excellent, unmarked condition: slight handling, slight indentations along the lower edges, slight corner tip wear. 239 pages, with font designs throughout. [3.6 lbs]. Book.

paperback. Zustand: Very Good. Item may have minor cosmetic defects (such as marks, wears, cuts, bends, or crushes) on the cover, spine, pages, or dust cover. Shrink wrap, dust covers, or boxed set case may be missing. Item may contain remainder marks on outside edges. Item may be missing bundled media. Satisfaction guaranteed. Thank you.…

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardback. Zustand: Fair. Although, or perhaps because, most of us write less and less by hand, our fascination for handwritten letterforms is growing. Typeface designers who specialize in traditional, charming, or spectacular lettering with a handmade look have become role models for today's young typographers and graphic design students. Script fonts--digital type families based on handwriting--are among the most sought on the typography market today. Scripts from the past, be it 18th-century formal calligraphy or advertising headlines from the 1960s, are being digitized and turned into OpenType programming. The love of the hand-written look is nothing new. Even the oldest printed books pretended to be something unique and not a machine-made mass product. Hand to Type is a collection of some of the best work by today's lettering artists in the fields of hand-made and digital script forms. The book includes texts about outstanding designers and contains a series of expert chapters outlining the principles of script forms that may be lesser known to most western typographers--from the German S tterlin to Arabic and Asian scripts. Hand to Type also traces script fonts back to some of the earliest examples: hand-lettering as a sign of authenticity, or printing type made to look like formal writing.…

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Used - Very Good. Thanks to ever-increasing digitalization, design has gone through a process of democratization since the 1990s. Because the internet has made the digital tools of various creative directions so easily accessible, many young designers are currently working in a multidisciplinary way. Today, the most compelling work is being created where classic design categories intersect. Young designers are moving fluidly between established job descriptions such as graphic designer, advertiser, street artist, video director, typographer, illustrator, product designer, and musician - often working as several at the same time. Because they customize their fields to suit their individual needs and their output often meanders through very different categorizations, the work of these designers may seem random at first glance. Still, despite or because of the way the work, they are profoundly innovative as well as remarkably determined when it comes to realizing their creative visions and establishing a personal style. Precursor introduces outstanding young design talent from around the world and documents their most recent work. Although regional creative differences and design traits still exist, the examples collected here show how a new transnational style is currently being established. This work exists beyond current trends and retro looks; its only obligation is to innovate. Slight scratching/scuffing on cover.…

Hardcover. Zustand: Fine. Edited by Jan Middendorp and Erik Spiekermann, 352 pages, profusely illustrated in color throughout, quarto (4to), hardcover, paper covered boards. Fine condition. Bookseller inventory #52156.

hardcover. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Zustand: good. Good condition USED book. Pages are clean with normal wear. May have limited markings inside from previous owner.

Hardcover. Zustand: New. Brand New.

Hardcover. Zustand: New. New copy.

Hardcover. Zustand: New. New copy.

Zustand: Good. Oorspronkelijk blind omslag, illustraties in kleur, 8vo.

Paperback. Zustand: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

quarto, printed boards. First Edition. First Edition. quarto, printed boards. 351 pp. Mark Batty Publisher, Founded in 1990 by Erik Spiekermann and Neville Brody, FontFont produces innovative and influential fonts by designers, for designers. Made with FontFont is an anthology of type specimens and essays closely and creatively examining how FontFont operates, to elucidate how this relative newcomer on the type design scene has made such an impression on the trends of type and typography. The 368 pages are divided into five chapters revealing the essence of FontFont and its legacy: Thinking FontFont, Talking FontFont, Making FontFont, Showing FontFont, Made with FontFont. These heavily illustrated sections demonstrate the dynamic range of the FontFont typefaces, which have been used for everything from instructions for wearing an Indian sari to the packaging for Viagra. Made with FontFont reads like a Who's Who of contemporary designers and design writers. Contributions from Akira Kobayashi, Rian Hughes, Emily King, Ellen Lupton and Reza Abedini, among others, including FontFont's founders, of course, will educate and inspire anyone with an interest in contemporary graphic design. New.…