Knyt erinn e (66 Ergebnisse)

Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

paperback. Zustand: Very Good.

Soft cover. Zustand: Very Good. 374 text page paperback with figure and music example illustrations, selected bibliography and Index at rear. Unmarked, tight and clean.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. Text clean and tight; 8vo 8" - 9" tall; 168 pages.

Zustand: New.

Paperback or Softback. Zustand: New. Ferruccio Busoni and His Legacy. Book.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

hardcover. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: new.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Includes dust jacket.

paperback. Zustand: LikeNew. Used Like New, no missing pages, no damage to binding, may have a remainder mark.

Zustand: New. pp. 384.

Zustand: New. In English.

Zustand: New. 2017. paperback. . . . . .

Zustand: New.

hardcover. Zustand: Very Good. Cover and edges may have some wear. Mild to Moderate creasing / bending to covers and pages. Book is otherwise very clean, unmarked and 100% functional.

Zustand: As New. Unread book in perfect condition.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Hardback. Zustand: Like New. This book provides the first detailed reception history of adaptations of Johann Sebastian Bach's Aria mit 30 Veränderungen (Goldberg Variations, BWV 988). It documents multiple ways Bach's work has appeared in arrangements, transcriptions, and re-compositions from 1800 to 2020. It examines adaptations for the traditional concert hall as well as for dance, theater, cinema, literature, digital media, and visual art. Overall, the book reveals a dramatic increase in adaptations of the piece in the late twentieth and early twenty-first centuries. In addition, it brings the reception history of Bach's Goldberg Variations into dialogue with broader scholarly discourse about performance practice issues. The piece was often performed in transcribed or arranged versions in the nineteenth century and then again in the late twentieth and early twenty-first centuries. Yet if nineteenth-century adaptations of this piece were usually created out of necessity, as a means of performing a lengthy piece without access to the original instrument, many twenty-first century adaptations, which have developed alongside historically informed performances, were motivated by deconstructionist ideologies. This contrasts with the middle part of the twentieth century, when there was a prevalence of historically informed performances and a dearth of adaptations. Comparisons to other works by Bach reveal similar performance practice trends. The reception history documented in the book also considers the musical work concept. It shows that, particularly since the late 1980s, there has been a loosening of the regulative hold of the modernist work concept associated with single authorship, structural unity, and an autonomous score. It reveals that many recent adaptations are not direct interpretations of an authoritative text, but engage in multivalent dialogues as Bach's score becomes an infinite or open text in which multiple people, including subsequent (re)-composers, performers, directors, and audience members enter into inter- and intra-textual conversations. In the process, the book contributes to recent studies about adaptations, the role of musical authorship, and changing notions of Bach and the work concept in the twenty-first century. At the same time, it discusses many recently composed pieces, including ones by underrepresented composers.…

Hardback. Zustand: Like New. This book provides the first detailed reception history of adaptations of Johann Sebastian Bach's Aria mit 30 Veränderungen (Goldberg Variations, BWV 988). It documents multiple ways Bach's work has appeared in arrangements, transcriptions, and re-compositions from 1800 to 2020. It examines adaptations for the traditional concert hall as well as for dance, theater, cinema, literature, digital media, and visual art. Overall, the book reveals a dramatic increase in adaptations of the piece in the late twentieth and early twenty-first centuries. In addition, it brings the reception history of Bach's Goldberg Variations into dialogue with broader scholarly discourse about performance practice issues. The piece was often performed in transcribed or arranged versions in the nineteenth century and then again in the late twentieth and early twenty-first centuries. Yet if nineteenth-century adaptations of this piece were usually created out of necessity, as a means of performing a lengthy piece without access to the original instrument, many twenty-first century adaptations, which have developed alongside historically informed performances, were motivated by deconstructionist ideologies. This contrasts with the middle part of the twentieth century, when there was a prevalence of historically informed performances and a dearth of adaptations. Comparisons to other works by Bach reveal similar performance practice trends. The reception history documented in the book also considers the musical work concept. It shows that, particularly since the late 1980s, there has been a loosening of the regulative hold of the modernist work concept associated with single authorship, structural unity, and an autonomous score. It reveals that many recent adaptations are not direct interpretations of an authoritative text, but engage in multivalent dialogues as Bach's score becomes an infinite or open text in which multiple people, including subsequent (re)-composers, performers, directors, and audience members enter into inter- and intra-textual conversations. In the process, the book contributes to recent studies about adaptations, the role of musical authorship, and changing notions of Bach and the work concept in the twenty-first century. At the same time, it discusses many recently composed pieces, including ones by underrepresented composers.…

Zustand: New. 2017. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 384 pages. 8.75x5.75x0.75 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: new.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New.