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  • Sprache: Englisch

    Verlag: CreateSpace Independent Publishi, 2013

    1482097370 / 9781482097375

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    Anbieter: Bookmans, tucson, AZ, USABookmans

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    Paperback. Zustand: Good. Satisfaction 100% guaranteed.

  • Sprache: Englisch

    Verlag: Beacon Hill Press of Kansas City, 1967

    0834103095 / 9780834103092

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    Anbieter: Half Price Books Inc., Dallas, TX, USAHalf Price Books Inc.

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    Hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

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    Verlag: Beacon Hill Press of Kansas City, Kansas City, Missouri, 1967

    • Hardcover

    Anbieter: Aspen Book Co., Denver, CO, USAAspen Book Co.

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    Hardcover. Zustand: Good. no dust jacket present. This hardcover edition of "Beacon Bible Commentary: Volume X" is in good condition. The binding is tight, and the pages are clean and free from inscriptions or markings. The absence of a dust jacket does not detract from the book?s integrity, making it a solid addition to any theological collection.

  • Sprache: Englisch

    Verlag: Bloodaxe Books, 2010

    1852248572 / 9781852248574

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  • Sprache: Englisch

    Verlag: Bloodaxe Books 11/25/2010, 2010

    1852248572 / 9781852248574

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    Paperback or Softback. Zustand: New. Collected Poems: With Translations from Jacques Pr�vert. Book.

  • Sprache: Englisch

    Verlag: CreateSpace Independent Publishing Platform, 2009

    1442140100 / 9781442140103

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  • Sprache: Englisch

    Verlag: Bloodaxe Books, 2010

    1852248572 / 9781852248574

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    Anbieter: Unique Books, Lexington, KY, USAUnique Books

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    Soft cover. Zustand: Very Good. No Jacket. b-566.

  • Sprache: Englisch

    Verlag: Bloodaxe Books Ltd, GB, 2010

    1852248572 / 9781852248574

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    Paperback. Zustand: New. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's fr.

  • Sprache: Englisch

    Verlag: Bloodaxe Books, 2010

    1852248572 / 9781852248574

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  • Sprache: Englisch

    Verlag: Bloodaxe Books Ltd, GB, 2010

    1852248572 / 9781852248574

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    Paperback. Zustand: New. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's fr.

  • Sprache: Englisch

    Verlag: CreateSpace Independent Publishing Platform, 2009

    1442140100 / 9781442140103

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  • Sprache: Englisch

    Verlag: Acropolis Books Inc, 1997

    1889051160 / 9781889051161

    • Softcover

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    Paperback. Zustand: Good.

  • Sprache: Englisch

    Verlag: Bloodaxe Books Ltd, Tyne and Wear, 2010

    1852248572 / 9781852248574

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    Paperback. Zustand: new. Paperback. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's friend, the critic George Rostrevor Hamilton, said he was 'modest about his poetry, and sometimes thought it too small to be worthwhile. But over and above a dry wit and fancy, he had an exquisite feeling for words, meticulous but, like himself, without affectation. In his own way he was unrivalled.' Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Sprache: Englisch

    Verlag: CreateSpace Independent Publishing Platform, 2014

    1500479608 / 9781500479602

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  • Sprache: Englisch

    Verlag: Bloodaxe Books, 2010

    1852248572 / 9781852248574

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    PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

  • Sprache: Englisch

    Verlag: CreateSpace Independent Publishing Platform, 2014

    1500479608 / 9781500479602

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  • Sprache: Englisch

    Verlag: Acropolis Books Inc, 1997

    1889051160 / 9781889051161

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    Anbieter: Friends of Pima County Public Library, Tucson, AZ, USAFriends of Pima County Public Library

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    paperback. Zustand: Good. Clean Pages. Previous owners name inside. Slight edge wear and bumping.

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    In den Warenkorb

    GD 124 MIN 2001. STELLAR CAST.

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    Hardcover. Zustand: Good. GOOD Cond, BIT WEAR TO CLOTH EDGES at POINTS & SPINE ENDS ; Fade to gold spine titles, bright cover titles.with some browning of text paper.bot brittle ; 253pg pages; Short pieces from Popular American story writers. With Nice full Portraits of each. Illustrated by Glossy Photos of Authors(6) (illustrator).

  • Sprache: Englisch

    Verlag: Tradd Street Press, 2026

    1025332776 / 9781025332772

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    Anbieter: California Books, Miami, FL, USACalifornia Books

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  • Sprache: Englisch

    Verlag: Independently published, 2023

    9798864219928

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  • Sprache: Englisch

    Verlag: Bloodaxe Books Ltd., 2010

    1852248572 / 9781852248574

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    Zustand: New. pp. 256.

  • Sprache: Englisch

    Verlag: Bloodaxe Books Ltd, 2010

    1852248572 / 9781852248574

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    Zustand: New. 2010. Reissue. Paperback. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Editor(s): Nicholson, Hubert. Num Pages: 256 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 234 x 157 x 15. Weight in Grams: 396. with Translations of Jacques Prevert. 256 pages. Editor(s): Nicholson, Hubert. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Cateogry: (G) General (US: Trade). BIC Classification: DCF. Dimension: 234 x 157 x 15. Weight: 394. . . . . .

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    Hard Cover. Zustand: Very Good. No Jacket. Some loss from spine head, light stain on bottom fore edge corner of a few pages, a few pages dog-eared, front and rear endpapers faintly foxed. Binding tight and square. 1890 Hard Cover. viii, 384 pp. Color frontispiece of an arctic aurora, monochrome plates, and hundreds of black-and-white illustrations in text. A collection of scientific articles contributed by numerous authors, including: The Northern Lights; The Mathematics of Plants; How the Wind Changes; Dreams; Why the Sea is Salt; The Anatomy of a Lobster; Rust; A Glass of Wine; Voyages in Cloudland; The Chemistry of Water; Nuggets and Quartz; The Sun Our Fire, Light, and Life; A Fish in the Water; A Microscopical Biography; Firing a Shot; What is 'Power'?; History Out of Refuse Heaps; What Is in the Interior of the Earth?; How Sunshine Warms the Earth; What Are the Stars Made Of?; The Protective Colours of Animals; Great Sea Reptiles; Shooting Stars; Continental Islands, and How They Were Formed; Teeth; How the River Severn Cut through Wenlock Edge; Moles and Mole-Hills; The Mariner's Compass; Spiders' Webs; Glaciers; Diamonds; The History of a Hen's Egg; Growth; The Magic Lantern; A Primrose; A Cannon Shot; Why the Rain Falls; The Story of a Volcano as Told in History; Can Science Conquer Rust?; How the Airs Were Discovered; What is 'Work'?; The Hand; How Glaciers Move; Dust; A Piece of Rock Salt; Protective Mimicry in Animals; The Physics of Music; Touch; Animal Colonies and Co-operation; Colour-Blindness; Oceanic Islands and Their History; Modern Explosives; The Gravel on the Garden Path; A Peat-Bog; A Piece of Iceland Spar; Polar Ice; Rubies and Sapphires; Weather Telegraphy; Lodgers and Boarders in Lower Life.

  • Sprache: Englisch

    Verlag: Bloodaxe Books Ltd, 2010

    1852248572 / 9781852248574

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    Zustand: New. 2010. Reissue. Paperback. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Editor(s): Nicholson, Hubert. Num Pages: 256 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 234 x 157 x 15. Weight in Grams: 396. with Translations of Jacques Prevert. 256 pages. Editor(s): Nicholson, Hubert. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Cateogry: (G) General (US: Trade). BIC Classification: DCF. Dimension: 234 x 157 x 15. Weight: 394. . . . . . Books ship from the US and Ireland.

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    Soft cover. Zustand: Very Good. 36 pages. Gerald Cockshott "Why So Grum?" / W S Drew "The Sounds of Words in Speech and Song" / Alexandr Brent-Smith "Music in the Wrong Place" / E R Anderson "Round about Radio" / Brahma's Requiem: A New Text" / Opera at Glyndebourne" / Sir Sydney Nicholson - obituary (M13).

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    Soft cover. Zustand: Good. 30 pp. ; pictorial wrappers ; some spotting ; illustrated ; Contents: Mercury : Messenger of Beauty; Theosophical Convention and Summer School -- Results of nomination ballots -- Nominations for directors and statements of candidates -- Summer workshops at Theosophical camps ; G. Book.

  • Sprache: Englisch

    Verlag: Bloodaxe Books Ltd 2010-11-25, 2010

    1852248572 / 9781852248574

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    Anbieter: Chiron Media, Wallingford, Vereinigtes KönigreichChiron Media

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    Paperback. Zustand: New.

  • Sprache: Englisch

    Verlag: Oxford at the Clarendon Press, London, 1927

    • Hardcover

    Anbieter: Montana Book Company, Fond du Lac, WI, USAMontana Book Company

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    Hardcover. Zustand: Good. No Dust Jacket. 644 pp. Tightly bound. Light ding to the tip of the top corner back board. Text is free of markings. Owner's bookplate on front paste down. No dust jacket. Gilt page edges. The paper shows some light mottling. This book measures 6 3/4" x 4 1/2" . Bound in blue cloth with dulled gilt type face on the front board and spine.