pantazzi michael (99 Ergebnisse)

Trade Paperback. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

paperback. Zustand: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Oversized Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. Profusely Illustrated (illustrator). Book and dust jacket in excellent, unmarked condition. International/expedited shipping will require additional postage due to bulk.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

paperback. Zustand: Acceptable. Binding is split. All page are intact. Satisfaction 100% guaranteed.

Paperback. Zustand: Fine. Zustand des Schutzumschlags: Not issued. Softcover with French flaps. Appears unread. No markings. Text in English. 80 pp, 77 illustrations. Fast shipping from NYC!

Paperback. Size: 9.5"x11.5", 286pp., 125 colour illustrations. As new, clean, tight and bright condition.

31,5 x 23,5 cm ; Pp. ; Zustand: Gut. 635 S. Großformatige und schwere Französischsprachige Hardcoverausgabe, 635 Seiten mit zahlreichen Abbildungen. Gutes Exemplar (bon état). pw342 ISBN: 2711821463.

Zustand: good. This book is in Good condition. There may be some notes and highligting but otherwise the book is in overall good condition.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 1996. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 1996. Ammareal gives back up to 15% of this item's net price to charity organizations.

Wrappers. Zustand: Good. 1st Edition. 640 pages. Paperback. Texts in English. Some sunning to spine with some shelf and handling wear to the edges and associated rubbing to the covers. Vertical creasing to spine. Still, the binding is tight, the interior clean and free of markings. Bound in stiff illustrated paper covers and published on the occasion of the North American venues of the major retrospective that began in Paris at the Grand Palais, and continued to the National Gallery of Canada in Ottawa and the Metropolitan Museum of Art in New York. Book.

Soft cover. Zustand: Very Good. Text clean and unmarked. Binding tight. Spine has some fading and creases. Covers have light wear. Edges of pages have light wear.

Zustand: Very good. - Quarto, 12-1/4 inches high by 93/8 inches wide. Hardcover, bound in light brown cloth titled in gilt on the spine, in a color pictorial dust wrapper. The dust jacket is slightly soiled and there is a small faint stain to the book's front cover. 640 pages, profusely illustrated in color and black & white. Near fine. First edition.Published in conjunction with the exhibitions at the Galeries Nationales du Grand Palais in Paris, the National Gallery of Canada in Ottawa, and The Metropolitan Museum of Art in New York.

relié. Zustand: Très bon. EXEMPLAIRE DE BIBLIOTHEQUE.

Soft cover. Zustand: Fine. 1st Edition. Published in conjunction with the exhibition Degas: master of French art, National Gallery of Australia, Canberra, 12 December 2008 - 22 March 2009. 286 pages. Colour illustrations throughout. Condition very good with only one mark on top of pages. Small mark on top of pages. See all photographs.

Softcover. Quarto Size [approx 24cm x 30.5cm]. Near Fine condition - French Flaps. A lovely book in excellent condition. Illustrated with colour and black & white reproductions. Robust, professional packaging and tracking provided for all parcels. 286 pages. Covers the period from Degas' early portraiture and historical subject matter of the 1860s through his late experimental paintings and photographs in the 1890s until his death in 1917. Includes a chronolgy of Degas and his time.

Zustand: Very Good. paperback. Wrappers are firm, text block clean, without highlights/underlining or markings. Some rubbing/curling to wrappers. Supporting Bay Area Friends of the Library since 2010. Well packaged and promptly shipped.

Trade Paperback. Zustand: Used - Very Good. From the smallest piece of gold jewelry to colossal statues of kings, Egypt's treasures have inspired the work of painters, sculptors, decorative artists, interior designers, and architects throughout the Western world. In 'Egyptomania: Egypt in Western Art, 1730-1930,' the arrangement of a dazzling assortment of masterworks by western artists side by side with artifacts from ancient Egypt celebrates our perennial fascination with all things Egyptian. This volume traces waves of Egyptian influence which swept Europe and North America from the first modern use of Egyptian themes in a painting by Poussin in 1647 to Baccarat perfume bottles shaped like Ramses inspired by the discovery of the tomb of Tutankhamun in 1922. Egyptian imagery is presented in a spectacular collection of artwork spanning the Baroque to Art Deco, from ceramics by Wedgwood to jewelry by Cartier, murals by Piranesi, architectural designs by Zix, paintings by Tiepolo, furniture by Hope, and many more. In all, 350 objects are rendered beautifully in 206 color and 630 black and white illustrations. They come from international museums, private lenders such as the House of Cartier, and collections from the Fontainebleau, Versailles, Malmaison, and Buckingham Palace. In-depth essays by leading art historians from Paris, Vienna, and Ottawa give detailed histories of each object and artist. An extensive introduction by the editors provides a comprehensive overview of Egyptomania-- the artistic legacy of cultural revivals which began in the days of the Roman Empire. Their analysis shows how Egyptomania has been spurred by military conquests, scientific developments, archaeological findings, museum exhibitions, and other events which periodically rekindle our obsession with the beauties, mysteries, and images of ancient Egypt. Very nice clean, tight copy free of any marks. Back cover has a small crease on the corner.

Paperback. Size: 8.75"x11", 607pp., profusely illustrated. Text in French. Tiny name stamp, bumped top corner and bottom of spine still a good, unmarked copy.

Hardcover. Zustand: very good/very good. Quarto. 598pp. Exhibition catalogue. Very nice copy in dust jacket. Light edge rubbing to dust jacket.

paperback. Zustand: Good. Clean Pages. No EXPEDITED OR INTERNATIONAL SHIPPING FOR THIS ITEM because of size / weight. Until further notice, USPS Priority Mail only reliable option for Hawaii. Proceeds benefit the Pima County Public Library system, which serves Tucson and southern Arizona. Slight edge wear and bumping.

Profusely Illustrated (illustrator). Published in conjunction with the exhibition Degas, organized by the Réunion des Musées Nationaux/Musée d'Orsay, Paris, the National Gallery of Canada, Ottawa, and the Metropolitan Museum of Art, New York Very good condition. Some sunning on dust jacket which is a little shelf-worn. Dust jacket: Very good. Hardback.

Hard cover. Zustand: Very good. Zustand des Schutzumschlags: Good. Text is in French. Jacket spine and edges are sunned, but readability is not impacted.Jacket edges are worn. Upper front jacket edge has closed tear. Upper front jacket edge is scratched. Back jacket edge is torn. Spine is shaken. Spine edges are worn and sunned. Text block and inside edges are tanned, but legibility is not affected. Pages are unmarked.

xvi, 479 pages. Hardcover: H 31.25cm x L 23.5cm. Dust jacket rubbed with a few bumping a edges; short tear at spine head. Green cloth with bright gilt stamping to spine. Faint staining at lower fore-edge and bottom edge. Interior pages are clean. Binding remains fairly crisp. Published as the accompanying catalog for an exhibition "Corot" held at the Galeries Nationales du Grand Palais, Paris from February 27 to May 27, 1996, at the National Gallery of Canada, Ottawa from June 21 to September 22, 1996, and at the Metropolitan Museum of Art, New York from October 22, 1996 to January 19, 1997. Please note that this large book has an approximate shipping weight of 6.75 pounds (3.06 kg) and will require additional postage for any postal class other than domestic Media Mail. ISBN 0870997696.

Soft cover. Zustand: Near Fine. 1st Edition. French Style Cover. $to. Copiously Illustrated In Color And B/W. Slightly used copy with sun faded spine.Â.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Zustand: Very Good. 1994 Soft Cover Edition. Faint reading crease to spine. Pages unmarked. Looks unread. No Expedited/International Shipping due to weight.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. FINE in NEAR FINE little edge worn jacket, single short closed tear to the rear panel.

Hardcover. Zustand: VG/VG. Yellow boards with green lettering green matte dustjacket 599 pp.; 369 mostly color plates. Text is in English. A very nice copy, and wonderful book. Contents as follows: Plates from Le Boulevard and Souvenirs d'artistes -- Lithographs published under the Authoritarian Empire -- Collectors and art-lovers (the 1860s) -- The theatre (the 1860s) -- Public transport -- Lawyers (1865-1868) -- Men singing, relaxing, drinking . -- Saltimbanques -- The last allegorical and political lithographs (1869-1871) -- Late works -- Don Quixote -- Chronology / Dominique Lobstein -- Collectors, dealers, and admirers / Dominique Lobstein with Catherine L. Blais. Essays. Situating Daumier / Henri Loyrette -- "Son rêve, en effet, a été la peinture" / Michael Pantazzi -- Daumier and printmaking / Ségolène Le Men -- "He also does sculpture / Édouard Papet -- Daumier, art, and politics / Michel Melot -- Catalogue. Daumier's beginnings -- Political caricature (1830-1835) -- Portrait-caricatures -- Men of the people -- Philipon versus Philippe -- Illustration, social caricature, and parody (1835-1848) -- The physiology of the bourgeoisie as depicted in the Charivari series -- Paintings from the 1840s -- 1848 and Second Republic -- Major projects and the salons of 1848-1852 -- Ratapoil -- Fugitives -- Quai d'Anjou -- Croquis d'artistes from the 1850s -- Paintings from the 1850s -- Molière and the theatre -- Lawyers (1861-1862) -- Plates from Le Boulevard and Souvenirs d'artistes -- Lithographs published under the Authoritarian Empire -- Collectors and art-lovers (the 1860s) -- The theatre (the 1860s) -- Public transport -- Lawyers (1865-1868) -- Men singing, relaxing, drinking . -- Saltimbanques -- The last allegorical and political lithographs (1869-1871) -- Late works -- Don Quixote -- Appendices. Chronology / Dominique Lobstein -- Collectors, dealers, and admirers / Dominique Lobstein with Catherine L. Blais. Published to accompany the exhibition held in Ottawa, Canada: Musée des Beaux-Arts du Canada, June 11 to Sept. 6, 1999, two other dates.

Softcover. Zustand: Very Good. Born in Paris in 1834, Edgar Degas art was considered radical in his adoption of modern subject matter and he was to become a key figure in the evolution of modern art. "Degas: The Uncontested Master" covers the period from Degas' early portraiture and historical subject matter of the 1870s through his move to modern subject matter, to his late experimental paintings and photographs from the 1890s until his death in 1917. Degas exhibited with a group of other young artists who came to be known as the Impressionists, but he was seen to stand apart from them in his treatment and choice of subjects. The book includes work from the many mediums Degas used painting, sculpture, printing, pastels monotypes and photography and his favourite subjects: the ballet, the opera, the racetrack, women in bordellos and bathing, milliners and laundresses. It conveys the richness of colour and Degas' experimental approach with his mediums. A major essay by curator Jane Kinsman looks at Degas' role in organising the first Impressionist exhibitions and the break from the traditions of the Salon, quoting prominent critics of the time. The second major essay, by internationally renowned Degas expert Michael Pantazzi, presents a detailed biography of Degas with many new facts never before published. Rear cover has a crease. 286 pages. Exhibition Catalogue. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Art; Art & Design; ISBN/EAN: 9780642541932. Inventory No: 266449. This book is extra heavy, and may involve extra shipping charges to some countries.