Schmidt victor m (24 Ergebnisse)

Hardcover. Zustand: Very Good. Illustrated. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Trade Paperback. Zustand: Very Good. Text in Dutch. Very Good, internally clean, solid paperback.

Paperback. Illus card cvrs, sl faded & rubbed. Incl 8pp English summary. ALEXANDER the Great.

hardcover. Zustand: New. 1st.

Hardcover. Quarto, 527 pages. In Very Good condition with a Very Good minus dust jacket. Spine brown with white lettering. Dust jacket protected with a mylar covering. General shelf wear. Tearing to dust jacket along rear hinge. Foxing to inside of dust jacket. Folding to front free endpaper. Light soiling to title page. Shelved in Italian Art. 1404371. Shelved Dupont Bookstore.…

Groningen, Egbert Forsten, 1995. Paperback. 8vo; xiv, 294 pag. [2pag.], 121 illustrations, epilogue, catalogue, bibliography, index. Vol. XVII, Series : Mediaevalia Groningana. Still shrinkwrapped NEW COPY [Art Art / Medieval Middeleeuwen / Middle Ages ].

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good. Exhibition Edition. 11 X 1.25 X 1.75 inches; 336 pages; color illustrations throughout the book. Some B&W. Minor shelf wear on DJ. Very Good condition otherwise. No other noteworthy defects. No markings. Coffee table book. Heavy item. Additional shipping charges may be required for international or expedited orders. Unclipped DJ; no price printed on front flap.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.…

Hardcover. Zustand: As New in shrinkwrap. Brown cloth boards with gilt spine lettering. Glossy brown and color-illustrated dust jacket with cream lettering. 527 pp. Mainly BW illustrations with 24 color plates. Papers from symposiums held in Florence on 5-6 June and in Washington on 16 October 1998. Contents as follows: The typology, meaning, and use of some panel paintings from the Duecento and Trecento / Marco Ciatti -- Visio divina? Donor figures and representations of imagistic devotion: the copy of the "Virgin of Bagnolo" in the Museo dell'Opera del Duomo, Florence / Lars R. Jones -- Medium and imagination: aesthetic aspects of Trecento panel painting / Klaus Krüger -- The lunette-shaped panel and some characteristics of panel painting / Victor M. Schmidt -- How liturgical is a medieval altarpiece? / Kees Van der Ploeg -- Icon to altarpiece in the Frankish East: images of the Virgin and Child enthroned / Jaroslav Folda -- The function of the Rucellai Madonna in the Church of Santa Maria Novella / Luciano Bellosi -- Giotto in America (and elsewhere) / Julian Gardner -- Observations on some polyptychs and altaroli by Ambrogio Lorenzetti / Michel Laclotte -- Altarpiece types and regional adaptations in the work of Taddeo di Bartolo / Gail E. Solberg -- Thirteenth- and fourteenth-century Perugian double-sided altarpieces: form and function / Dillian Gordon -- Duccio's Maestà: the function of the scenes from the life of Christ on the reverse of the altarpiece: a new hypothesis / Peter Seiler -- Guido da Siena's Misteri di Gesù Cristo / Barbara John -- Beyond the limitations of visual typology: reconsidering the function and audience of three Vita panels of women saints c. 1300 / Joanna Cannon -- Seven scenes of the life of Saint Stephen by Martino di Bartolomeo in Frankfurt: a proposal for their provenance, function, and relationship to Simone Martini's Beato Agostino Novello Monument / Rudolf Hiller Von Gaertringen -- Francis of Assisi in prayer before the crucifix in the accounts of the first biographers / Elvio Lunghi -- Marks of devotion: case study of a crucufix by Lorenzo di Bicci / Elisabeth Mognetti -- Opening the doors to devotion: Trecento triptychs and suggestions concerning images and domestic practice in Florence / David G. Wilkins -- Portable polyptychs with narrative scences: fourteenth-century de luxe objects between Italian panel painting and French Arts somptuaires / Victor M. Schmidt -- The production and trade of late Gothic pictures of the Madonna in Tuscany / Gaudenz Freuler -- Cassoni istoriati with "Torello and Saladin": observations on the origins of a new genre of Trecento art in Florence / Jerzy Mizio ek -- Everything in a name? or the classification of Sienese Duecento painting / Hayden B.J. Maginnis -- Florentine mosaics and panel paintings: problems of chronology / Miklós Boskovits. …

Zustand: Good. Original brown cloth, gilt lettered spine, dust jacket, numerous (full page) illustrations in b/w, 4to. Studies in the History of Art 61.

Gron., 1995. c. 250 pp. & c. 110 ills. (MG; 17).

Hardcover. Zustand: Used-Very Good. dj. Cloth, dj. Quarto. 350 pp. Profusely illustrated. Minor shelf wear overall; light creasing at edges and corners of jacket. Else fine. A bright, clean copy. Profusely Illustrated (illustrator).

Zustand: Good. Original boards, dust jacket, numerous (full page) illustrations mostly in colour, 4to.; Several very light stains on cut, dust jacket shows very light shelfwear to edges and corners. Profusely Illustrated (illustrator).

Hardcover. Zustand: gut. 2002. Italian Panel Painting in the Duecento and Trecento In englischer Sprache. pages.

4°, 350 S., zahlr. einige farb. Abb., Kart. m. OU., Tadell. Small panels with religious subjects from the 13th and 14th centuries in Tuscany constitute a large and well-known genre of objects for domestic use and private devotion. Individual panels, but also diptychs, triptychs and sometimes polyptychs, were as widespread as books of hours in north-western Europe. As in the latter, votive panels present the full range of artistic production: from mass-produced objects to masterpieces of important private commissions. This book is a study of these objects, which are considered as a category in their own right, with the intention of stimulating a debate to explore their most important aspects. Text: engl. 2200 gr. Schlagworte: Kunst - Kunstgeschichte, Gotik.…

Hardcover. Zustand: gut. 2005. Painted Piety: Panel Paintings for Personal Devotion in Tuscany 1250-1400 In deutscher Sprache. pages. Profusely Illustrated (illustrator).

rilegato con Sovraccoperta a C. Zustand: As New. Zustand des Schutzumschlags: As New. prima edizione. Painted Piety.Panel Paintings for Personal devotion in Tuscany c.1250-1400,by Victor M.Schmidt.Firenze 2005 Centro Di edizioni Pages 352 ills,227 in b/n e 25 tavole a colori quarto rilagto con sovraccoperta Euro 500,00.- Victor M. Schmidt Painted Piety Panel Paintings for Personal Devotion in Tuscany c. 1250-1400 Le tavolette dipinte con soggetti religiosi costituivano in Toscana, nel tredicesimo e quattordicesimo secolo, una vasta e popolare categoria di oggetti votivi usati per la devozione personale. Le tavolette singole, i dittici, i trittici e anche i polittici erano comuni come i libri d¿ore dell¿Europa nord occidentale. E come questi, le tavole coprivano l¿intero campo dell¿arte, dai modesti pannelli prodotti su richiesta alle preziose opere dipinte per facoltosi committenti. È il primo studio su questi oggetti, considerati in quanto categoria artistica, con l¿intento di fornire una trattazione sistematica dei loro aspetti più importanti: la loro tipologia, la qualità del materiale, l¿uso e le funzioni, l¿iconografia, i loro proprietari e committenti. La prima grande monografia sui piccoli pannelli a soggetto religioso in Toscana nel XIII e XIV secolo. Victor M. Schmidt insegna storia dell¿arte all¿Università di Groningen, dove ha conseguito il suo dottorato nel 1988. Dal 1994 al 1998 è stato ricercatore all¿Istituto Universitario Olandese di Storia dell¿Arte di Firenze. Nel 2002 ha pubblicato il volume Italian Panel Painting of the Duecento and Trecento nella collana Studies in the History of Art pubblicata dalla National Gallery of Art di Washington, D. C. Collana ¿Italia e i Paesi Bassi¿ N. 8 Formato cm 21,5x28,5 pag. 352 ill. 227 b/n e 25 col. Lingua: Inglese Rilegato con sovracoperta ¿ 350,00.-xx Size: 215 x 285 Mm. Profusely Illustrated (illustrator).…

Paperback. Zustand: New. Studies in the Visual Cultures of the Middle Ages; The articles collected in this volume discuss the rise and spread of the altarpiece, or retable, as the standard altar decoration across Europe during the thirteenth and fourteenth centuries. Historians of art and liturgy have addressed such issues as the relations with other types of altar furnishings, regional variants, and their architectural, liturgical and socio-political context. The papers grew out of a symposium held at the University of Groningen (The Netherlands) in June, 2006, in which fourteen scholars from eight different countries participated. The period under scrutiny, c. 1150-c. 1400, has hitherto received only limited scholarly attention. It starts when the altarpiece was well-established and ends with the great regional diversification of object types (such as the polyptych in Italy and the winged altarpiece in northern and central Europe). In surn, the altar decorations studied here are characterized by a relative uniformity stretching across media and regions, which enables comparisons to be made. The objects studied can be found in such diverse locations as Iceland, Sweden, Denmark, Germany, England, the Low Countries, central France, Catalonia, Mallorca, northern and central Italy, and Cyprus. This pan-European scope reveals connections that for many have always gone unnoticed, and contributes to a new perspective on European art that transcends modern national boundaries. The volume is illustrated with a wealth of plates and figures.…

Hardcover. Zustand: New. This work brings together an array of approaches to panel painting of the 13th and 14th centuries, a period that has received far less attention than the Renaissance. From the middle of the 13th century onward, Italy witnessed a boom in panel painting. This brought about the transformation of existing object types, including painted crosses, altar frontals, and monumental panels of the Virgin and Child. It also fuelled the development of new types of panel painting, particularly various forms of altarpieces, lunette-shaped panels for architectural settings, small-scale panels for personal devotion, and painted chests for private homes. The international gathering of curators, art historians and conservators who contribute to this volume discuss specific types of panel paintings, and they also examine local traditions, individual artistic solutions, patronage, production, use, iconography, and the relationship of panel painting to other art forms. Among the broader issues they address are liturgy, aesthetics, the perception and function of religious imagery, and style.…

Hardcover. Zustand: Fine. 1st Edition. 4to., brown cloth lettered in gilt; pictorial dust jacket. First edition, 525 pages. A gorgeous copy of a lavishly illustrated production.

Zustand: Nuovo. Bross., cm 24x17, pp 188, alcune ill. in b/n e moltissime a colori. Il volume tratta gli stendardi e gonfaloni processionali provenienti dalle Marche risalenti al Quattrocento e al primo Cinquecento, nonché alcuni manufatti eseguiti da pittori marchigiani per committenti umbri. anche i più grandi pittori dell'epoca ne avevano eseguiti: Gentile da Fabriano, Niccolò di Liberatore, Luca Signorelli, Perugino, Raffaello e Tiziano. - ISBN: 9788896815083.…

Brossura. Zustand: nuovo. Zustand des Schutzumschlags: nuovo. Edition originale. JOHAN MAELWAEL Nijmegen-Paris-Dijon : Art Around 1400 .RIJKS MUSEUM 2017 Language . english text book in occasionof the Exhibition Rijksmuseum Amsterdam 6 October 2017 to 7 January 2018. Language : English text Coll.C Plafond.…

paperback. Zustand: Good. Prima edizione. In 8, cm 18 x 24, pp. XVI + 48 + (6) con 207 tavole fuori testo con planimetrie. Brossura editoriale illustrata. Con un sommario in inglese e testi in tedesco e francese. Rarissima relazione del secondo congresso del CIAM che si svolse nel 1929 a Francoforte e che vide la partecipazione di architetti provenienti da tutta Europa e dagli Stati Uniti: R I. Neutra, E. May, V. Bourgeois, C. J. Robertson, A. Alto, Le Corbusier, M. Stam, G. Rietveld,  A. Sartoris, L. Backer, M. Ginsbourg ecc.  Il tema affrontato fu quello dell'unità abitativa minima (Existenzminimum), accessibile con un salario minimo, uno tra i concetti più significativi tra quelli portati avanti dal Gruppo, definibile come unità di pianificazione di base per strutture più ampie. I cento progetti qui presentati sono suddivisi in case unifamiliari, case per due famiglie, case per più famiglie. Book.…

Zustand: nuovo. Durante il Medioevo, il crocifisso, più di ogni altra immagine di Cristo, diventò l'oggetto comunemente associato alla pietà personale. Da intendersi come un contributo alla cultura materiale religiosa in Italia durante il tardo Medioevo e la prima Età moderna, questo studio rintraccia il costituirsi della "categoria" del piccolo crocifisso ligneo a uso personale. A tal proposito, è inevitabile considerare innanzitutto il rapporto con i crocifissi di maggiori dimensioni, che spesso sono più antichi e meglio documentati. A tal fine vengono esaminati alcuni crocifissi (scolpiti ma non solo) che secondo la tradizione hanno avuto un ruolo speciale nelle devozioni di alcuni santi o beati (tra i quali Giovanni Gualberto, Tommaso d'Aquino e Caterina da Siena). Vengono inoltre analizzati alcuni crocifissi superstiti di piccolo formato, collegabili a santi e beati (tra i quali le sante Battista da Varano e Caterina de' Ricci) o altri religiosi (fra Girolamo Savonarola), inserendoli nel contesto delle fonti scritte e iconografiche. Dopo un approfondimento su determinati aspetti generali legati ai materiali, il testo si conclude con alcune considerazioni sui rapporti dinamici tra manufatti, persone sacre e oranti-fruitori. 160 pp., 57 figg. bn. e 17 tavv. col. ft., 17 x 24 cm.…

4°, 527 S., zahlr. teilw. farb. Abb., OLwd. m. OU., Tadellos. Center for Advanced Study in the Visual Arts, Symposium Papers XXXVIII.- This wide-ranging book brings together a rich array of current approaches to panel painting of the thirteenth and fourteenth centuries, a period that has received far less attention than the Renaissance. From the middle of the thirteenth century onward, Italy witnessed a boom in panel painting. This brought about the transformation of existing object types, including painted crosses, altar frontals, and monumental panels of the Virgin and Child. It also fueled the development of new types of panel painting, particularly various forms of altar-pieces, lunette-shaped panels for architectural settings, small-scale panels for personal devotion, and painted chests for private homes.The international gathering of curators, art historians, and conservators who contribute to this volume discuss specific types of panel paintings, and they also examine local traditions, individual artistic solutions, patronage, production, use, iconography, and the relationship of panel painting to other art forms. Among the broader issues they address are liturgy, aesthetics, the perception and function of religious imagery, and style. 2600 gr. Schlagworte: Kunst - Kunstgeschichte, Renaissance.…